A Quote by Bernard Cornwell

At risk of sounding foully pompous I think that writers' groups are probably very useful at the beginning of a writing career. — © Bernard Cornwell
At risk of sounding foully pompous I think that writers' groups are probably very useful at the beginning of a writing career.
I never attended a creative writing class in my life. I have a horror of them; most writers groups moonlight as support groups for the kind of people who think that writing is therapeutic. Writing is the exact opposite of therapy.
To say you want to be a director is to risk sounding obnoxious, pretentious, arrogant, and I think women are more fearful of sounding that way than men are.
I think all writers are mainly writing for themselves because I believe that most writers are writing based on a need to write. But at the same time, I feel that writers are, of course, writing for their readers, too.
At the risk of sounding really corny now, I'm a career prosecutor. I've been doing this for a very long time. And I believe in holding people responsible when they violate the law. But our sole responsibility is to seek justice. And sometimes that means a very lengthy sentence for people who are dangerous and from which society must be protected.
I think I had become over-confident in my approach towards my work and with people around me. I admit that I'd started sounding pompous and self-obsessed.
I think it's dangerous to think you know what you're writing. I usually don't know, and usually I just discover it in the course of writing. I envy those writers who can outline a beginning, a middle, and end. Fitzgerald supposedly did it. John Irving does. Bret Easton Ellis does. But for me, the writing itself is the process of discovery. I can't see all that far ahead.
Creative writing lessons can be very useful, just like music lessons can be useful. To say, as Hanif Kureishi did, that 99.9% of students are talentless is cruel and wrong. I believe that certain writers like to believe they arrived into the world with special, unteachable powers because it is good for the ego.
In my general meetings, I certainly tell producers and executives that I'm interested in writing action films, but I think there's still a very specific set of writers they look at. And I don't think there's a lot of female writers on that list.
I think writing is a process that starts long before the writers are actually writers and probably goes on long afterward. It's rather like the way the Arabs weave rugs. They don't stop. They just cut them off at a certain spot on the loom. There is no particular beginning or end.
Nobody wanted me. I just kept writing books and learning my craft. Most writers aren't very good in the beginning.
I'm always amazed by writers who tell me they plan everything at the beginning. I feel their writing days must be very bland.
The Night Journal received two awards that I'm terribly proud of - -the Spur from Western Writers of America, and the Willa Literary Award from Women Writing the West. Both these groups are filled with great writers and good people.
Humour is - how do I say this without sounding pompous - it's a huge part of my life.
Some of my favorite characters that I've played have been very pompous because I love making fun of pompous people.
Only I can play Modi. I say that even at the cost of sounding pompous because I really love him.
I don't think there is a need of the categorization 'woman writing'. I think in some sense writers lost their gender when they walk into the world of words; I believe that writers ought to be able to slip under the skins of both men and women. Only then will the writing and the characters have credibility and strength.
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