A Quote by Bernard-Henri Levy

For me, dressing is always a question of principle, respect, a sense of order, not to disguise myself, even in rotten places. — © Bernard-Henri Levy
For me, dressing is always a question of principle, respect, a sense of order, not to disguise myself, even in rotten places.
Every once in awhile, find a spot of shade, sit down on the grass or dirt, and ask yourself this question: “Do I respect myself?” A corollary to this question: “Do I respect the work I’m doing?” If the answer to the latter question is NO, then the answer to the former question will probably be NO too. If this is the case, wait a few weeks, then ask yourself the same two questions. If the answers are still NO, quit.
I've been fortunate to come on places where the question isn't why did I do it? The question to me is always, why didn't anybody else do it before me? Those are the ones that I scratch my head about.
I do think it's possible for me to go back to the studio, and for a lot of women filmmakers to be going back into studio filmmaking with a different sense of their own agency, and a different sense of the respect that they can command. When you asked the question about whether women want to be making big studio movies, the answer is almost always yes. It's just, how do they want to be treated? What is that experience going to be? And if you know the experience is gonna be shitty going into it, I personally am at a place where I'm not willing to punish myself any longer.
Ive been fortunate to come on places where the question isnt why did I do it? The question to me is always, why didnt anybody else do it before me? Those are the ones that I scratch my head about.
Honesty is a principle. Service is a principle. Love is a principle. Hard work is a principle. Respect, gratitude, moderation, fairness, integrity, loyalty, and responsibility are principles. There are dozens and dozens more. They are not hard to identify. Just as a compass always points to true north, your heart will recognize true principles.
I've always taken that as my guiding principle and the rest is just set dressing. You can have dragons in it, or aliens and starships, or a western about a gunslinger, or even literary fiction, and ultimately you're still writing about the human heart in conflict with itself.
However fiercely opposed one may be to the present order, an old respect for the idea of order itself often prevents people from distinguishing between order and those who stand for order, and leads them in practice to respect individuals under the pretext of respecting order itself.
Sometimes I think I disguise myself as a teacher in order to make the pictures I need to see.
Literature must rest always on a principle, and temporal considerations are no principle at all. For, to the poet, all times and places are one; the stuff he deals with is eternal and eternally the same: no theme is inept, no past or present preferable.
My mom taught me to respect myself, and to question anyone who would ask me to sacrifice my integrity.
For me, places are articulations of 'natural' and social relations, relations that are not fully contained within the place itself. So, first, places are not closed or bounded - which, politically, lays the ground for critiques of exclusivity. Second, places are not 'given' - they are always in open-ended process. They are in that sense 'events'. Third, they and their identity will always be contested (we could almost talk about local-level struggles for hegemony).
I love myself enough-not in a schmaltzy garbage sense, Hallmark stuff, I'm talking respect myself-I respect my life-force enough to no longer waste it.
When you're rotten about yourself, you become rotten to everyone else, even those you love.
I lay in my dressing room after being in make-up waiting to go on. They knew I was feeling pretty rotten and they tried to give me time to rest. But I couldn't sleep. I couldn't do anything.
I have a strong sense of myself. That gives me a sense of security. If I define myself by things that are always changing, like the public's opinion or what I'm wearing or what job I'm doing, there's no stability in that.
I have a strong sense of myself. That gives me a sense of security, you know? If I define myself by things that are always changing, like the public's opinion, or what I'm wearing, or what job I'm doing, there's no stability in that.
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