A Quote by Bernard Holland

It is an unfortunate irony that music-making intended in part to attract new listeners is usually the least well rehearsed and motivated. — © Bernard Holland
It is an unfortunate irony that music-making intended in part to attract new listeners is usually the least well rehearsed and motivated.
I'm making music for people to have fun and party to. I'm also making real music as well. I'm making a lot of pop stuff. I'm definitely just making music for the consumer and the listeners. So shout out to all my fans.
Constantly writing with new people is important. Also, listening to new music that's popular and that's making a splash - that's how I get motivated.
There are musicians who want to make a living making music. There are listeners who want to listen to music. Complicating this relationship is a whole bunch of history: some of the music I want to listen to was made a while ago in a different economy. Some of the models of making a living making music are no longer valid but persist.
Obviously the trouble with having a hit with something like a cover of a ballad, you attract a whole new set of listeners, which is great, but on the other hand they start to pigeonhole you a little bit.
Electronic technology has been a part of music making and music listening for a century. We always treat it like it's new, and cutting edge, but it's actually omnipresent, so we should just treat it as part of the arsenal today.
While creating Moon Shoes, I had no idea that I was doing it. The experience was extremely organic, considering that I was making music spontaneously and working alongside friends. I chose to title the project 'Moon Shoes' to give listeners a sense of unearthly freedom. I believe each song moves listeners closer to the moon and personal truth.
As far as using electronics in my music, I have to do that as honestly as possible. Also, I have a broad range of listeners from a classical music base, as well as people, like me, who listen to a lot of different music. So I'm mindful of letting my sitar playing remain at the center of what I do.
I'd been making music that was intended to be like painting, in the sense that it's environmental, without the customary narrative and episodic quality that music normally has. I called this 'ambient music.' But at the same time I was trying to make visual art become more like music, in that it changed the way that music changes.
No matter what - rehearsed, under-rehearsed, over-rehearsed, doubts about rehearsing - the first gig is always the first gig, and you put on your little praying hat, batten down the hatch, and do what you do.
It is one thing to be well-read on a subject; it is quite another to be part of the subject itself. It is an unfortunate fact that there are many individuals who make magick there life without making their life magick.
Even if I'm making music for people for $20 a night, at least I'm making music.
The music business is motivated by money. Music is motivated by energy and feelings.
Maybe the level of people you attract is what you supposed to attract. Maybe the few people I attract are the ones who know what the real is... There's that connection. That's what I put into my music.
I'm a very visually motivated person. Music is always going to be the thing I'm most motivated by, but music and visuals go hand in hand.
The music's rehearsed a lot. All people think about is, they think, in rock 'n' roll, they get the music off right and they think it's okay standing, looking macho. Well, it's not. That's boring. If you want to be a performer you've got to do a lot more work than that.
Rich people making their houses bigger in order to make their lives happier wind up hurting their own marriages. There's a deep irony here. Do the couples perceive that irony?
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