A Quote by Bernard Hopkins

I've shown, for twenty-plus years, with a legacy that will be talked about way after I'm gone, that I am different. — © Bernard Hopkins
I've shown, for twenty-plus years, with a legacy that will be talked about way after I'm gone, that I am different.
To be the best and stay there sweat is necessary. I'm older. Of course I'm older. That's the beauty of it. Sixteen years plus different level of wisdom. Different level of understanding. Different level of punishment. i want to live loooong after my records have fallen, long after my rings have tarnished. Whatever you got to do to make sure you chase your legacy. Every second of your life. How will you be remembered? How will you be remembered? Why wouldn't you fight for the greatest achievement ever? Leave your mark to endure forever.
That's such a great thing about New York, after growing up in a place and being there for twenty plus years, there's still a whole island to discover.
Four times, under our educational rules, the human pack is shuffled and cut - at eleven-plus, sixteen-plus, eighteen-plus and twenty-plus - and happy is he who comes top of the deck on each occasion, but especially the last. This is called Finals, the very name of which implies that nothing of importance can happen after it.
'The Immigrant Story,' which took me about twenty-five years to write, was a very simple story, but I couldn't think of how to tell it. Then twenty years after I started it, I found this one page and realized it was going to be the story. That's the only way you get it sometimes.
The same costume will be Indecent ten years before its time, Shameless five years before its time, Outre (daring) one year before its time, Smart (in its own time), Dowdy one year after its time, Ridiculous twenty years after its time, Amusing thirty years after its time, Quaint fifty years after its time, Charming seventy years after its time, Romantic one-hundred years after its time, Beautiful one-hundred-and-fifty years after its time.
After 20 years and 250 mainstream films, I thought I should have in my library at least 50 films, films that will be talked about when I am no more.
My buildings will be my legacy... they will speak for me long after I'm gone.
The biggest thing that will define my legacy is how I've done it, and what I've done, and who I am. I'm a weird big guy. Doing rapping, doing movies. Do a lot of stuff. But always do things the right way. Went to the police academy to become a police officer. Get his master's in criminal justice, stayed out of trouble. Played for three different teams. Changed three different franchises around. This is a guy who they would have secret meetings about to change the rules. So, that's going to be my legacy: the most dominant player ever.
After twenty plus years of performing hundreds of shows a year, I prefer to try things out on stage rather than for friends. I don't see the benefit in that, really.
In the nineties, everybody wants to talk about their rights and privileges. Twenty-five years ago, people talked about their obligations and responsibilities.
My father's legacy is going to be talked about for hundreds and hundreds of years.
The interesting thing was we never talked about pottery. Bernard [Leach] talked about social issues; he talked about the world political situation, he talked about the economy, he talked about all kinds of things.
Over the years I’ve worked with countless women who have inspired me with their stories. Beyond makeup, we’ve talked about life-altering events. Everything from the joy of being a new mom to dealing with homelessness and divorce. With each conversation, these women have shown that when you have the will and the heart, almost anything is possible—and that’s what Pretty Powerful is all about.
Twenty years later, twenty years after I joined the women's movement, we're still talking about the same issues. We're still talking about reproductive rights for women, and we're still talking about getting equal pay for women. And that's just frustrating.
This man, who for twenty-five years has been reading and writing about art, and in all that time has never understood anything about art, has for twenty-five years been hashing over other people's ideas about realism, naturalism and all that nonsense; for twenty-five years he has been reading and writing about what intelligent people already know and about what stupid people don't want to know--which means that for twenty-five years he's been taking nothing and making nothing out of it. And with it all, what conceit! What pretension!
I was fortunate enough to get a job at my alma mater, which brought me back to Indiana after being gone for twenty years. There is no way I would have written these poems had I not come back. They are 100% the product of the circumstances that led me home.
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