A Quote by Bernard Hopkins
The Pavlik fight was the first time I heard the masses put the word knockout attached to my opponent. I'm real keen on what people say. Ninety percent of it might be garbage, but something in there might be the plan. That woke me up and I knew I wanted to destroy.
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It's my special magical power. I can read your mind when you're thinking dirty thoughts." "So, ninety-five percent of the time." She craned her head back to look up at him. "Ninety-five percent? What's the other five percent?" "Oh, you know, the usual--demons I might kill, runes I need to learn, people who've annoyed me recently, people who've annoyed me not so recently, ducks." "Ducks?
The Ninety-Ninety Rule of Project Schedules - the first ninety percent of the task takes ninety percent of the time, and the last ten percent takes the other ninety percent.
Ninety percent of the media picked Pavlik, and I always appreciate naysayers. That's what motivates me.
if you were older you might agree with me. you might say that real love steals nothing. you might say that real love leaves a person intact. you would be wrong, jane. love is a greedy toddler who knows only the word 'mine.
If I think something's a waste of time or inappropriate I don't wait to point it out. I say it right away. It's real time. So you might hear me say 'That's the dumbest idea I have ever heard' many times during a meeting.
We got to face some facts. That the masses are poor, that the masses belong to what you call the lower class, and when I talk about the masses, I'm talking about the white masses, I'm talking about the black masses, and the brown masses, and the yellow masses, too. We've got to face the fact that some people say you fight fire best with fire, but we say you put fire out best with water. We say you don't fight racism with racism. We're gonna fight racism with solidarity. We say you don't fight capitalism with no black capitalism; you fight capitalism with socialism.
If somebody says, 'Do you remember the first time you heard a Rolling Stones song?' if you say you do, you're crazy. You've just always heard them. You might remember the first time it impacted you, but the first time you heard one, you were in a cradle.
After I won my first amateur fight, I figured I would do fighting on the side while I was going to school. I got an offer after that amateur fight to take a professional fight. The opponent kind of wanted to have an easy win for her pro debt, and they said they'd pay me $1,500. I was like, 'Yeah, might as well get paid for what I was doing.'
I switched to my new trainer Abel Sanchez to add versatility to my game. I'm coming to fight a serious fight. If I knock him out, it will just put another feather in my cap. I'm predicting a win, but I never look for the knockout because that's not my game plan. If my punches result in a knockout, so be it.
I knew from a young age that I was attracted to guys. I didn't know if it was a phase... I didn't want to say, 'Hey, I might be gay. I might be bi.' I just didn't know... I wanted to find who I was and make sure I knew what was comfortable. So I didn't tell anyone growing up.
In Eden I "saw" that Adam or Eve probably spoke each word FOR THE FIRST TIME and that seemed wild and seemed to me that that might have brought them to some essence of language. Once I "saw" the city, I knew it was real. once I saw that a poem was a house, i knew it was real and could go back to it or else write a flurry of poems around it, both worked.
Honestly, when I left the business, in time, some people might remember you and some might say they knew the name. But, people move on and there are new interests and all kinds of different things go on all the time. So, it surprised me how people have not forgotten.
I knew I was different. I thought that I might be gay or something because I couldn't identify with any of the guys at all. None of them liked art or music, they just wanted to fight and get laid. It was many years ago but it gave me this real hatred for the average American macho male.
The magician seemed to promise that something torn to bits might be mended without a seam, that what had vanished might reappear, that a scattered handful of doves or dust might be reunited by a word, that a paper rose consumed by fire could be made to bloom from a pile of ash. But everyone knew that it was only an illusion. The true magic of this broken world lay in the ability of things it contained to vanish, to become so thoroughly lost, that they might never have existed in the first place.
Ninety-eight percent are boxes, which tells me that a lot of people are in denial. We live and work in boxes. People don't even notice that. Most of what's around us is banal. We live with it. We accept it as inevitable. People say, "This is the world the way it is, and don't bother me." Then when somebody does something different, real architecture, the push-back is amazing. People resist it. At first it's new and scary.
I grew up with the idea that someone might hate you if they knew what religion you were; being afraid to open my mouth because my accent might make people think something about me. Or even if they didn't, would they understand me?
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