A Quote by Bernard le Bovier de Fontenelle
They will have the World to be in Large, what a Watch is in Small; which is very regular, and depends only upon the just disposing of the several Parts of the Movement.
Related Quotes
Beauty depends on size as well as symmetry. No very small animal can be beautiful, for looking at it takes so small a portion of time that the impression of it will be confused. Nor can any very large one, for a whole view of it cannot be had at once, and so there will be no unity and completeness.
From building a fire one can learn something about artistic composition. If you use only small kindling and large logs, the fire will quickly eat up the small pieces but will not become strong enough to attack the large ones. You must supply a scale of sizes from the smallest to the largest. The human eye also will not make its way into a painting or building unless a continuum of shapes leads from the small to the large, from the large to the small.
Behind the visible movement there is another movement, one which cannot be seen, which is very strong, on which the outer movement depends. If this inner movement were not so strong, the outer one would not have any action.
Proportion is that agreeable harmony between the several parts of a building, which is the result of a just and regular agreement of them with each other; the height to the width, this to the length, and each of these to the whole.
I grew up in a small village outside of Krakow, and when I was small we had only a small television, and we had only one and two programs. I remember it was black and white. And I loved to watch Charlie Chaplin. I was so small, but I remember his movement.
The world is large, very large. My head is small, quite small. There is no way I can put the world in my head. Nevertheless, I have been trying to elaborate some kind of representation.
We have a problem with several media taking only a part of the reality and not the whole picture. Some media in the world are more critical towards what's happening than others. It depends on the journalist, it depends how much information they have about the case and which perspective they are asking you from. All of these things can play a role.
Do not be afraid of large patterns, if properly designed they are more restful to the eye than small ones: on the whole, a pattern where the structure is large and the details much broken up is the most useful...very small rooms, as well as very large ones, look better ornamented with large patterns.
Our incomes should be like our shoes, if too small, they will gall and pinch us, but if too large, they will cause us to stumble and to trip. Wealth, after all, is a relative thing, since he that has little and wants less is richer than he that has much but wants more. True contentment depends not upon what we have; a tub was large enough for Diogenes, but a world was too little for Alexander.
Clothing sizes are weird, they go: small, medium, large and then extra large, extra extra large, extra extra extra large. Something happened at large, they just gave up. They were like, 'I'm not doing any more adjectives; you just keep putting extras on there.' We could do better than that: small, medium, large, whoa, easy, slow down, stop it, interesting, American.
The way in which we experience and interpret the world obviously depends very much indeed on the kind of ideas that fill our minds. If they are mainly small, weak, superficial, and incoherent, life will appear insipid , uninteresting, petty and chaotic.
There are brains so large that they unconsciously swamp all individualities ties which come in contact or too near, and brains so small that they cannot take in the conception of any other individuality as a whole, only in part or parts.
Even when we were under the Spanish flag, we had a movement that just wanted assimilation into Spain, a movement of autonomy - which has been the majority always - and a movement for separation. In that sense, Puerto Rico's political reality is very different from any place I know in the whole world.
Watch out, I have a large, very large fur, with which I could cover you up entirely, and I have a mind to catch you in it as in a net.
I'm drawn to very large texts that are mammothly popular in different parts of the world but are almost unknown here [the USA]. They're safe bets; if they've been around for 2,000 years, there's a reason. It's often a title or just a phrase within the text that will compel me to adapt it.
A large movement covers a small movement
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