A Quote by Bernard Sumner

I felt that by the late '90s, I'd gone as far as I could with the keyboard. — © Bernard Sumner
I felt that by the late '90s, I'd gone as far as I could with the keyboard.
You could make your fingers reproduce exactly what you felt, if you really worked at it. I achieved it, not only spending a lot of time at the keyboard but finding ways I could make my fingers reproduce my deepest feelings. It meant, when you hit a note with a finger, you sank into that note all the way to the bottom of the keyboard until it went pow! Right?
If Star Wars had been released in the late '60s, or late '80s, or late '90s, adjusting for technology, it fits spectacularly well.
I made songs in the late '90s and the early new millennium that didn't succeed very well, but songs that I made in the late '80s, early '90s, they stood the test of time. I respect those songs for keeping me relevant.
A token like ethereum has gone up 10 times faster than bitcoin, and it's fueling an ICO bubble no different then the dot-com IPOs of the late '90s.
I can make my living out of Ireland, but the reason I came to London was that I felt I'd gone as far as I could go in Ireland.
Back in the '80s and '90s, you could hit the quarterback low, you could hit the quarterback high. You could hit him pretty much late.
I feel like a novice, just as I felt before I knew anything of the keyboard. It is far too original, and I shall end up not being able to learn it myself.
Like leggings, comedies created by women came into vogue in the late 1980s, exploded in the early '90s, went mainstream in the mid-'90s, and were shoved into the back of the closet around 1997.
When I would walk down the runway back in the late 90s, I could feel the tension from others who knew I was transgender. I could see the joy on the faces of people from my community, elated to see someone represent them.
I think fame became exciting for me in the late '90s because I could actually use it as a means to an end. I could actually have it help me serve my vocationfulness.
Public schools in the late '80s and early '90s were a total mess... we felt that if I was going to have a good educational option in my life, I would have to go to a public school district that actually served its children.
By the time it came to the 90s, the late 90s, being a businessman was the beacon to uphold. We've been having the concept of the best rapper equals the best businessman.
I think Dido's really cool. I feel like she kinda tapped in - back in the late '90s and early 2000s - she tapped into the ''90s-does-'70s' vibe.
Growing up, my dad owned a restaurant in Washington, DC, and food was something I was passionate about. But when I finally got into it, I felt like it was so late in the game; that's why I worked seven days a week at Craft and Mercer Kitchen. I wanted to see how far I could take it.
Not that there weren't great shows, and not that there wasn't plenty of fine music played. It's just that the consistency and the height of where we could take it, with the help of the audience, was less, I felt, in the '90s.
At the beginning of this album I discovered the computer and had great fun playing with the thing. And I realized that, not being a good keyboard player, I could write things in very small sections, give them a certain feel and mess about with bends on the keyboard.
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