A Quote by Bernardine Dohrn
Killing a cop just because he's a cop, that'll happen. And that should happen. And there's nothing inhuman about it at all. It's survival. It's the most human thing in the world.
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I've been called a point guard, I've been called a traffic cop, I've been called a ringmaster, a lion tamer, whatever. And I guess the thing about the traffic cop is I'm more of a rogue traffic cop because a good traffic cop doesn't want any fender benders.
My parenting style could be described as not good cop or bad cop so much as nervous cop. I'm always yelling for somebody to stop because they're about to get hurt. I'm the take a jacket, slow down guy.
I don't know what it is about me and this cop thing, but I get a lot of cop offers. Everyone always assumes that I'm someone on the force, but as long as they are paying me, I will play a cop until the day I die.
If I play a cop, it's always a racist cop or a trigger-happy cop or a crooked cop - but by and large I play cowboys, bikers, and convicts.
There's really no such thing as an 'ex-cop' or a cop who's 'off-duty' or 'retired.' Once trained, once indoctrinated, a cop is always alert, assessing reality in terms of its potential for illegal acts.
My parents did the whole good-cop/bad-cop thing - Dad was the bad cop, and Mom was the good cop. I remember my father saying, 'I'm his father, not his friend.' That kind of stuck with me.
I'm not going to complain about playing a cop, there's a cop in every country town in this place. Policing the world and the community is a difficult job, because you get it wrong some times. I couldn't do it for real.
If Anderson was the good cop, and Blake was the bad cop, Jamaal was the complete psycho cop.
If I see a cop, it's not like, 'Oh, there's a cop who's gonna keep me safe.' It's more, 'There's a cop who might be having a bad day, so don't make eye contact.'
With a face like this, there aren't a lot of lawyers or priest roles coming my way. I've gotta face that was meant for a mug shot and that's what I've been doing for the past thirty years. If I play a cop, it's always a racist cop, or a trigger-happy cop or a crooked cop - but by and large I play cowboys, bikers, and convicts.
In 'Dhil,' my character wants to become a cop, and those who want to become cops have a small waist. In 'Saamy,' where I play a cop, my waist is thicker. Because after you become a cop, that's how you look.
The funny thing about any cop uniform is that people will do what you say when you're wearing a cop uniform.
There is no such thing as a bad cop, only disturbing and dominant cop thinking that will invariably lead to excessive force and tragic outcomes.
There are just lots of possibilities in the world...I need to keep my mind open for what could happen and not decide that the world is hopeless if what I want to happen doesn't happen. Because something else great might happen in between.
The complete absence of the story - that was the best thing about this whole thing, because you know that nothing's going to happen and everything's going to happen. It's just the gaze. You create your own zone.
When I went through the Simpson case, I was a cop. Then I was a good cop. Then I was a bad cop. Then I had the media camped out in front of my house when I retired. Then, you know, I am the evilest thing on the planet. Then I write a few books, and then I start getting involved, like the Martha Moxley case.
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