A Quote by Bernardo Bertolucci
English dialogues are always just what you need and nothing more - like something out of Hemingway. In Italian and in French, dialogues are always theatrical, literary. You can do more with it.
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First and foremost, note that Plato always wrote dialogues, and never attempted to produce a theoretical or scientific treatise. This is a big clue for me. From beginning to end, Plato was aware of the limits of theoretical and technical reasoning, and his dialogues are a massive exploration.
I like playing with languages and dialects as we have so many in India. Adding a dialect just makes the dialogues more colorful.
Shatrughan Sinha's career lasted because people could imitate his dialogues. You cannot be a mass superstar if people don't imitate your dialogues.
Part of what the food industry does with public relations, just like the chemical industry or the oil industry, is to try to erase their fingerprints from their messaging. So when consumers hear about a recent effort like the "food dialogues" put on by a group called the US Farmers and Ranchers Alliance, do they know necessarily that these "dialogues" are being funded by companies like Monsanto, a large chemical company and the controller of most of the patents on genetically modified seeds? No, they don't.
Dialogues and emotion based movies don't always work.
I grew up speaking Spanish and English. My mother can speak Spanish, English, French and Italian, and she's pretty good at faking Portuguese. I wish that I spoke more languages than I do.
I always fought against vulgarity, double meaning dialogues and wearing la'dies' clothes.
An actor can give his best shot but the script and dialogues have to have punch to make it more effective.
In prose, you have a lot more room for digression, for very meaty kinds of dialogues. In graphic novels, you're writing haiku-length dialogue. Your job is to be efficient, to get out of the way of the art.
I always used to love couture because it was more theatrical than the runways. The runways always felt more like part of the machine.
It is not always important that you have dialogues. How you present your role depends on the director and the cameraman; the actor also has few things to do.
In 'Godha,' I was a Punjabi girl and had Hindi, English and Punjabi dialogues.
In 'Kahaani,' I did not have more than 15 minutes in the whole movie and my character has dialogues for not more than two minutes. Still,the audience remember me for that role.
You never know what little idea or joke, what flame flickering really quickly, will become a song. That first idea, it can come any time. If it's in Spanish, you go on in Spanish. If it's in French, French. If it's in English, English. Or Portuguese. I'll try to do my best. I like Italian, though I don't speak it much.
It was always said that the big distinction between the French and the English is that the English are intelligent and the French are intellectual.
If I like something, I then have to study every single aspect of it to find out if there's more things that I would like, and it's just this weird hunger to want more. I always feel like there's so much that exists.
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