A Quote by Bernardo Bertolucci
For American filmmakers, the Oscars is like a mystic thing. For me, it was being in a mirror of my dreams when I was dreaming of Hollywood when I was an adolescent.
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The irony is I did an intimate film in France with no stars and that got me to Hollywood. It got me to the Oscars. If I had tried to imitate the Americans or the Hollywood movies with a commercial recipe, I'd never have gotten to Hollywood. Although, it was not my goal in any way, and I never thought there was any connection between Monsieur Lazhar and the Oscars.
I used to think as I looked out on the Hollywood night, 'There must be thousands of girls sitting alone like me dreaming of being a movie star.' But I'm not going to worry about them. I'm dreaming the hardest.
I'm very happy that Kathryn Bigelow has become the first woman in the 82-year history of the Oscars to earn Hollywood's top prize for filmmakers.
I hate The Oscars. The Oscars make me want to throw things at the TV. In the ancient history of The Oscars, people would go on and make political statements and get thrown off the stage, but the last great political statement, I think, was when Michael Moore started raging against Bush a few years back. Everybody booed him, even though I can't imagine Hollywood booing a guy who's bashing Bush. That was the last great spontaneous moment on The Oscars.
I have always been saying that we are making a mockery of ourselves by sending such idiotic films to the Oscars. This is very sad. We have great filmmakers but none of their films are sent to the Oscars, why?
Dreaming, dreaming, dreaming -- weren't our dreams what gave us strength, hope, and desire?
To pretend like Hollywood is anything other than that is disingenuous. #OscarsSoWhite is trendy, but for women filmmakers and filmmakers of color, it's not a trend. This is our reality, and it's important that we do something to change it.
Men speak of dreaming as if it were a phenomenon of night and sleep. They should know better. All results achieved by us are self-promised, and all self-promises are made in dreams awake. Dreaming is the relief of labor,the wine that sustains us in act. We learn to love labor, not for itself, but for the opportunity it furnishes for dreaming, which is the great under-monotone of real life, unheard, unnoticed, because of its constancy. Living is dreaming. Only in the graves are there no dreams.
We should be dreaming. We grew up as kids having dreams, but now we're too sophisticated as adults, as a nation. We stopped dreaming. We should always have dreams.
I would like to go to the Oscars. I'm not even talking about being nominated - although that would be lovely. Even if it was I won a competition on the back of a crisp packet to go to the Oscars I would like to go to the Oscars.
When it comes to being slaves to fashion, American managers make adolescent girls look like rugged individualists.
Los Angeles is Hollywood and Hollywood is Hollywood Blvd. It's the first thing you want to see. It's the only thing really that you know about as far as Los Angeles is concerned. And so you go and you look at Joan Crawford's hands and feet and the whole history of American filmmaking is encapsulated in that one little area on that one street. That street, to me, has always been the street of dream.
Making African American films are hard in Hollywood. We need to rely on a support network and bring more cohesion to different filmmakers, actors, producers etc. It's a very difficult business. There aren't a lot of Africans Americans or people of color in high positions in Hollywood that we can green-light films.
It's not my dreams that get me in trouble, it's what my wife dreams I did. My wife punched me in the middle of the night; I woke up and went Oww! What was that for?, and she goes I dreamt you were making out with Faith Hill. I said I wasn't dreaming anything! Send her over to my dreams, and we'll both be happy.
There's only one thing harder than living in a home with an adolescent - and that's being an adolescent. The moodiness, the volatility, the wholesale lack of impulse control, all would be close to clinical conditions if they occurred at another point in life. In adolescence, they're just part of the behavioral portfolio.
The American mirror, said the voice, the sad American mirror of wealth and poverty and constant useless metamorphosis, the mirror that sails and whose sails are pain.
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