A Quote by Bernardo Bertolucci

The life before '68 was very different from the life after '68. Before '68, our days were full of authoritarian moments. There were authorities everywhere. In fact, the movement of '68 was young people against their authorities, children against their parents. And that remained. The most important thing of all, the thing that lasted, was the first feminist movement and the position of women in society. That completely changed and that was very, very important.
What I was talking about was, of course, very autobiographical - '68 was the moment when all the young people were incredibly excited, because when we were going to sleep, we knew we would wake up not tomorrow, but in the future. There was a sense of future that was the result of the mixture of politics, cinema, music, the first joints. And the movies were a very important part of that cocktail.
'Dreamers' was because I really wanted to go back after I heard so much nonsense about '68. I wanted to go back to what for me was '68, when young people thought that they could change the world.
What if Hillary Clinton were a man? What if she were a 68-year-old man rather than a 68-year-old woman? Would we think differently of her?
At 68 I'm every age I ever was. I always think of that. I'm not just 68. I'm also 55 and 21 and three. Oh especially three.
In the 60s there were a lot of things which were anarchistic. May-June '68 was riddled by anarchistic sentiments, dreams and ideals, but insofar as this was not strengthened organizationally and intellectually by a very effective, powerful infrastructure, then what happens is the movement becomes dissipated.
Today Mitt Romney is 68 years old. It's kind of sad, a 68-year-old guy with no job, no future - wait a minute, that's me.
I didn't work out from 30 to 68. I just started working out when I turned 68.
Most feminists in France came to feminism after '68 as a result of the hypocrisy they experienced in leftist movements. In these movements, where everyone believed there was going to be true equality, fraternity between men and women, and that together they were going to struggle against this rotten society, even there they noticed that the leftists, the militants, kept them "in their place." Women made the coffee while the others did the talking; they were the ones who typed the letters.
I can't get used to the fact that I'm 68 years old. I still feel like a youngster. I am playing a part even older than 68 - 71 years old. It's kind of startling to see myself in a movie and realize, "Yup. That's exactly what I look like."
Chicago '68 was a relatively small demonstration for its time, but I've talked to millions of people who claim they were there because it felt like we were all there. Everyone from our generation was there and was at Woodstock.
When you're young, you think life is forever, but it's finite. I'm 68, so even by the maddest measurements, I'm in the last bit of life.
The most validating thing was when my picture was on my first bubble gum card. That was in '68 for me. I was finally on the Topps card.
I was born at a very crucial time. I consider 1968 to be the Mason Dixon line between pre- and post-civil rights generation ideas, whereas a lot of people born before '68 they kind of went into that Moses mentality. Like, I'm not going to make it, you know, I don't have any hope.
Those Laurel Canyon days were great. I have a real fondness for that era, 'til about '68. Musically, it was wonderful, and there was this great innocence, an idyllic view of the world. After that, everything got a little... edgy.
My parents demonstrated against the Vietnam war, they were into the civil rights movement, the feminist movement, they started the first vegetarian restaurant in Pittsburgh.
There's a big difference, as I'm sure you know, it's a slightly manneristic one, between people of the '60s and people of '68. Being a soixante-huitard - it's so nice to have a French word for it - is very different from just having happened to been a baby boomer in the '60s.
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