A Quote by Bernardo Bertolucci
This is something that I dream about: to live films, to arrive at the point at which one can live for films, can think cinematographically, eat cinematographically, sleep cinematographically, as a poet, a painter, lives, eats, sleeps painting.
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Free time keeps me going. It's just something that's always been a part of my life. I was originally a painter, and I made films sort of as an extension of that, and then I started to try to make dramatic films because the early films were experimental films.
Films set in 90210 are ten a penny. But there's rarely room to make films about a different postal code, to show the lives of ordinary Americans who have to live with very limited material resources.
I was originally a painter, and I made films sort of as an extension of that, and then I started to try to make dramatic films because the early films were experimental films.
The beauty of my job is I do all different kinds of film directing, not just surf films anymore. And I do stuff from commercials to short films to working on feature films, and none of it is based from where I live. It's all based elsewhere, so I can live anywhere and commute to where I need to go.
Live-action has always been my focus and my passion. I love voice-over, and I definitely could see myself doing some voice-over, as much as I could, and even if I ended up doing only that for the rest of my life, and I could be successful at it, that would be great. But I think my real dream is to do films and live-action films.
I do not teach history in my films. I don't have a linear point of view or argument. What I do in my films is to live the human experience; human, whether in Nazareth or anywhere else in the world.
My films are personal-voice-driven films about human characters and the place we live. Technically, I'm an independent filmmaker.
This may just be me, but I feel like everyone's dream is to live as an American high school student. There are so many teen films set in America that you live vicariously through them, anyway.
I love music, I make films with music, I eat with music, I sleep with music, I think with music. Music makes me dream; it strengthens my creativity.
I love music, I make films with music, I eat with music, I sleep with music, I think with music. Music makes me dream, it strengthens my creativity.
Music films are great, but they can never compete with a live performance. Live music is what it is. It's the whole point. You experience it in the moment.
I'm going to write films, star in films, direct films. Write records. Perform live.
My father is so jolly, and I live a really happy life. I think that's why all my interest in the darker things in films comes up: because I'm curious about things I don't live in.
My painting and writing has always been parallel. That's why probably where my colleagues have done 300 films, I have done only about a 100, out of which I'd say at least 30-35 films I am even proud of.
Eat till you're full. Play anytime you want. Sleep as much as you like. Cry. Get angry. Laugh. Live. Live. Live.
Eating, drinking, dying - three primary manifestations of the universal and impersonal life. Animals live that impersonal and universal life without knowing its nature. Ordinary people know its nature but don't live it and, if they think seriously about it, refuse to accept it. An enlightened person knows it, lives it, and accepts it completely. He eats, he drinks, and in due course he dies - but he eats with a difference, drinks with a difference, dies with a difference.
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