A Quote by Bernardo Bertolucci

If you mention any ideological thing about shooting Last Tango in Paris, I was thinking I was doing a political film. — © Bernardo Bertolucci
If you mention any ideological thing about shooting Last Tango in Paris, I was thinking I was doing a political film.
If you mention any ideological thing about shooting 'Last Tango in Paris,' I was thinking I was doing a political film.
Totalitarian rule marks the sharpest contrast imaginable with political rule, and ideological thinking is an explicit and direct challenge to political thinking.
I'm not entirely comfortable saying I'm an actor, because it seems like a very weird, almost dorky thing to say you are. I laugh after every take just out of the discomfort I feel that I'm even on film. It's an awkward thing for me to be doing. Once we get going, it's always fine, and as we're shooting, I'm never thinking about it. I'd say that all my time in front of the camera is equally uncomfortable for me.
Doing a film with your friend is probably the best way to end that friendship but we worked together really well. We just have that thing. Chemistry is something that... I just think it is the last thing in Hollywood, the last magical thing they haven't computerised. There's nothing you can do about it - it's either there or it's not and it doesn't matter if you're friends or not. It was just a bonus that we were.
I shoot very little film. If you just do coverage you're shooting any number of potential films instead of just one, and I was shooting just one specific film. Film is cheap but time is expensive.
Whoever thought to name a candy bar Butterfinger has either never seen Last Tango In Paris or seen it far too many times.
The worst thing you want is a willy-nilly judge who is swayed by the political whims of the era or the time. What you want is a judge who is thinking about what he or she is doing and is thinking about it in a principled way.
Tango is about feeling and sensitivity, otherwise you are just doing gymnastics. You can do all the steps but it has to have the feeling and sensitivity of authentic tango.
I wanted to have a reaction from the audience. I wanted to be able to talk to somebody, and not be talking just to myself. That's when I did 'The Conformist,' 'Last Tango in Paris,' etc. And I found it was incredibly rewarding, something new.
For the last 10 years, I've felt increasing pressure to stop shooting film and start shooting video, but I've never understood why. It's cheaper to work on film, it's far better looking, it's the technology that's been known and understood for a hundred years, and it's extremely reliable.
There have been innumerable films about film-making, but Otto e Mezzo was a film about the processes of thinking about making a film -- certainly the most enjoyable part of any cinema creation.
When I make a film, I never stop uncovering mysteries, making discoveries. When I'm writing, filming, editing, even doing promotional work, I discover new things about the film, about myself, and about others. That is what I'm subconsciously looking for when shooting a film: to glimpse the enigmas of life, even if I don't resolve them, but at least to uncover them. Cinema is curiosity in the most intense meaning of the word.
I was shooting for 'Maaya' when I got a call from John Abraham's office. They told me about the film and asked if I could audition. But since I was shooting, I recorded my audition and sent them the tapes. The next thing I know, I was on board.
On domestic policy, one of the major stories in American politics has been the growing ideological and political self-confidence of the Democratic Party, and the growing ideological and political pessimism of the Republican Party.
I'm a bad walker but I can dance tango. You know why? Put your hand up. Push on my fingertips and just hold it. In tango, your feet are free but the top of your body pushes, so if I feel like I'm gonna fall, my partner can catch me. So I walk with a stick but I can totally dance the tango. It's a romantic kind of thing.
'True Blood' is shot on film. It's more like a movie, and they take more days to shoot it, plus it has an hour of content. 'The Good Wife' is network. They're shooting on HD. It moves quicker and they only have forty minutes of content instead of a full hour. Not to mention the difference of shooting, you know, rated-R stuff!
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