A Quote by Bernice King

In 1985, I was arrested, along with my mother and brother, Martin III, in a protest against apartheid at the South African Embassy in Washington, D.C. — © Bernice King
In 1985, I was arrested, along with my mother and brother, Martin III, in a protest against apartheid at the South African Embassy in Washington, D.C.
In 1985, I joined my mother in a protest against apartheid in which we were arrested at the South African embassy in Washington, D.C. And she was at President-elect Mandela's side in Johannesburg when he claimed victory in South Africa's first free elections.
My maternal family are South African and when I was small and my parents separated my mother and I went back to South Africa. So for me the emergence of my own childhood consciousness was in the context of 1970s and 1980s apartheid South Africa and the movement there.
I was born in South Africa during apartheid, a system of laws that made it illegal for people to mix in South Africa. And this was obviously awkward because I grew up in a mixed family. My mother's a black woman, South African Xhosa woman... and my father's Swiss, from Switzerland.
'Sizwe' is the beginning of protest theatre; 'Nothing But The Truth' is post-apartheid South Africa.
Protest theater has a place again. It's not against whites or apartheid. It is against injustice and anything that fails our people.
African slavery is the corner-stone of the industrial, social, and political fabric of the South; and whatever wars against it, wars against her very existence. Strike down the institution of African slavery and you reduce the South to depopulation and barbarism.
I'm excited about my own network, BounceTV. It's the first African-American-owned broadcast network. It's myself, my partner Rob Hardy, and some other African-American businessmen, including Andrew Young and Martin Luther King III.
Before 1994, many South Africans used theater as a voice of protest against the government. But with the end of apartheid, like the artists who watched the fall of the Iron Curtain in Europe, theater had to find new voices and search for new issues.
My brother and I were brought up sort of thinking that we were English. I remember hearing the poet Roy Campbell on the radio and being quite shocked that he had a South African accent. I didn't know there were any South African poets.
I think all of my writing life led up to the writing of 'The Train Driver' because it deals with my own inherited blindness and guilt and all of what being a white South African in South Africa during those apartheid years meant.
There is a tendency just to talk about foreign investors. Over 80 per cent of new investment in the South African economy is South African and therefore the engagement of the South African investor is also a critical part of this process.
Oliver Cromwell (1599-1658) moved from a legitimate to a charismatic role, reversing the course followed by Washington. Yet therewere surface similarities in their careers. Both led military rebellions against English monarchs--Cromwell against Charles I, Washington against George III. Each took local militia--the "train bands" of Cromwell, the colonial levies of Washington--and forged professional armies on a national scale. Each infused a new ethos in his troops--a religious spirit in Cromwell's case, a post-colonial American identity in Washington's.
I led the fight here against apartheid as President of the ACTU, including particularly the Springbok tour in 1971. And that led to the banning of the South African cricket tour which had been scheduled - that was something that I sorted out with Sir Donald Bradman. That was interesting.
We do not have a South African as a member of the African Commission. The President of the Commission comes from Mali, the Deputy comes from Rwanda and then we have got all these other members, ordinary commissioners. There is no South African there. And the reason, again, for that is not because we didn't have South Africans who are competent.
As humourless a lump of dough as ever held a torchlight vigil outside the South African Embassy or stuck an AIDS awareness ribbon on an unwilling first-nighter.
There has been no more principled opposition to racism than Jeremy Corbyn: he was getting arrested for protesting against Apartheid when the rest of them were doing deals and calling Nelson Mandela a terrorist.
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