A Quote by Bernie Brillstein
Coming from the William Morris mailroom as I have, this book
is the truth of what I experienced, and it reminded me of all the
fun and craziness and fake drama that trained me for this
profession. It's hilarious, a bit crazy, and it should make anyone
wonder why people put their careers in the hands of these
idiotsand remember I'm one of them. If you have a child,
make sure he or she reads this before starting at the bottom-
anywhere.
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I thought I'd be a success even back in the mailroom at William Morris.
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It's very important not to put pressure on a child. Make sure that she/he feels that whatever happens it's not the end of the world. If they cry after a loss that's normal, as adults also hate to lose. If they win a game you should make them feel very proud but make sure they know the next game will be another challenge.
I admire Virginia Woolf so much that I wonder why I don't like her more. She makes the inner things real, she does illumine, and she makes relationships realities as well as people. But I remember the intensity, the thrill, with which I read 'Passage to India.' How I would have hated anyone who took the book away from me.
Morley put his hand over his heart and bowed from the waist, a gesture that somehow reminded Claire of Myrnin. It reminded her she missed him, too, which was just wrong. She should not be missing Morganville, or anyone in it. Especially not the crazy boss vampire who’d put fang marks in her neck that would never, ever go away. She was doomed to high-necked shirts because of him. But she did miss him.
You remember what you go through as a kid, what's going to make you listen, what's going to make you respond. I held onto that. People who treated me like that when I was younger got every bit of respect and attention I could give them, because I knew that they were coming at me from almost an equal level.
I don't know that she is as amusing as she was when she was a child, but she makes me love her and I like people who make me love them. It saves me so much trouble in making myself love them.
I believe that a good children's book should appeal to all people who have not completely lost their original joy and wonder in life. The fact is that I don't make books for children at all. I make them for that part of us, of myself and of my friends, which has never changed, which is still a child.
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I'm a little quick - I can run a little bit - but I know I can't make a lot happen. So my thinking always was, 'Why don't you put it in the fast guys' hands and let them make plays.'
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My mom is great and I make sure that we pray together before every race. She helps me put everything in perspective and remind me of the real reason I run.
It sometimes makes people feel better about themselves, you know, to put other people down, or make fun of them, or maybe make mockery of their work and that doesn't make me feel good at all.
My husband wasn't put off by it - he thought it was hilarious to see me dressed as Dylan! He didn't particularly want to kiss me with stubble all over my face - it felt a bit odd! But I think he's used to it [the make-up process].
She's not like anyone I've ever seen before. When I'm not with her, I want to be. And when she opens the book and I see her face, I can barely remember what I'm supposed to say, much less how to speak at all." I test the words on my tongue. "I think I might be in love with her. But how can I really know, since the only love I've ever experienced was written for me?
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