A Quote by Bernie Ecclestone

You're born with certain gifts and you use them as best you can in life. You begin to learn and recognize that you have certain skills and aptitudes that you apply and use them to carry you forward.
You are given certain skills, and if you don't use them effectively, you are being irresponsible.
Human beings do not carry civilization in their genes. All that we do carry in our genes are certain capacities- the capacity to learn to walk upright, to use our brains, to speak, to relate to our fellow men, to construct and use tools, to explore the universe, and to express that exploration in religion, in art, in science, in philosophy.
All you can do is learn the skills of movies. Neither colleges nor anyone else can teach you creativity. They can teach you abilities to work with - you know how to use the gifts you've been born with.
You're not born with certain skills; you have to acquire them.
In the same way that a film director would use a film lens to blur out a certain item or use a spotlight, I use certain movements that draw the eye instinctually.
I was kind of reflecting on my life and certain experiences, and you know, when I'm teaching and coaching my partners on 'Dancing With the Stars,' I sort of use those stories and anecdotes to help them sort of overcome certain fears.
We all learn how to use the bodies we're born with, or learn to use them in an adjusted state, whether those bodies are considered disabled or not.
We are all born with wonderful gifts. We use these gifts to express ourselves, to amuse, to strengthen, and to communicate. We begin as children to explore and develop our talents, often unaware that we are unique, that not everyone can do what we're doing!
You know the discrimination: African-Americans couldn't go to certain schools, they couldn't use certain restrooms, there were other kinds of routine biases against them.
We're able to use certain techniques to get people to behave in certain ways. We're able to use certain techniques to make it look like we're reading minds, even though we're not.
An evil fate has deprived me of the full use of my right hand, so that I am not able to play my compositions as I feel them. The trouble with my hand is that certain fingers have become so weak, probably through writing and playing too much at one time, that I can hardly use them.
The days come and go but they say nothing, and if we do not use the gifts they bring, they carry them as silently away.
When people are too present, too familiar or too in our face, something happens to us psychologically. We begin to tune them out, we begin to get sick of them, we begin to know them so well and become so familiar with who they are that we loose a bit of respect for them. You pass a certain threshold with the fact that you're too present in their lives, too much in their face and once that threshold is passed you're never going to repair it they have lost a certain respect for you.
My entire philosophy of teaching is based on the notion that when an artist finds a certain process really effortless, that's probably what he or she should choose to do. So often, students take the opposite tack; they have no use for the skills that come easily to them.
So let's not use a stylus. We're going to use the best pointing device in the world. We're going to use a pointing device that we're all born with - born with ten of them. We're going to use our fingers. We're going to touch this with our fingers. And we have invented a new technology called multi-touch, which is phenomenal. It works like magic.
The pressure to conform to 'politically correct' speech is primarily a pressure not to use certain expressions. But when our freedom to use certain expressions is taken away, then our ability to think in certain ways is also curtailed.
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