A Quote by Bernie Finkelstein
I had promised myself when I first got started that if I got to the point my life where I started feeling 'Gee, I'd rather be at home than at work', and that started happening more often than not, that it would be time to leave. I'd wake up some days and go "Oh, I don't even know if I want to go face this anymore". I would, I would go do it, I'm a dutiful kind of person and not afraid of work.
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I had a dream of music and art and the big city in which I would get lost, where no one would know me and I wouldn't know anyone, where I would work at some ordinary job, and if one day I got up in the morning and decided I wasn't going to go to work anymore, no one would ask questions.
Once I got to be about twenty-five, I got interested in the music of the time. I started smokin' dope, I started drinking, I started slowing down and trying to find myself. I didn't want to work in nightclubs.
I used to be very shy. When I first started, I had to go to a casting, and I had to go in a bikini. I thought I was too skinny. But I went in and got the job! And that's how I started.
I would go to the beach in my turtle neck, all bundle up. I would read my book and kind of scowl, but I hadn't seen the most beautiful beaches in the world. We had a beach (in Canada) where you couldn't even go swimming. But once I travelled and saw more beautiful areas, my relationship to the planet expanded I started connect to it more and be more aware.
Suddenly, I realized how tough trying to structure a story like this is. It was a lot of work. The one big advantage that we had was that we had eight scripts written before we started shooting, or even started casting. We had a really good opportunity to look at it and figure out where we were going to go and how to do it. Once we got a cast, which I love, then we started doing some revisions to make sure that they fit into it.
I would go with my husband to the tailors where he gets his shirts made, and I would watch the bespoke process. I would ask them, "Would you be able to make that for me?" And they would always say, "Well, yes, but no." They were very French about it. I decided I would just do it for myself. And I started doing that. Then other people would notice, and want it. So I started doing things for friends, little pieces, and my own line grew that way.
When I first started reading about the kabbalists, I would hear about them being seen in strange places. It would turn out that they were doing some kind of spiritual work to elevate the sparks. In my life and career, I've had the opportunity to find myself where I could make some spiritual moves, to do some work that is spiritually important.
I did not even go to kindergarten; I just started first grade when I was five and started reading right away. I don't know how it all worked, but I had a lot of adults and older siblings around me. So, I guess I was probably introduced to what one would be introduced to at that time in kindergarten.
I got on a plane. I remember when I got on the plane, the talk was, you know, they're checking Dale out, that it's more than what it looked like, but I still didn't think it would be anything more than maybe some injuries. Then I landed at home and my phone just lit up. I started getting those messages.
I mean, I was blown away. I couldn't believe it. I was just in shock.
One of my superstitions had always been when I started to go anywhere or do anything, not to turn back, or stop until the thing intended was accomplished. I have frequently started to go places where I had never been and to which I did not know the way, depending upon making inquiries on the road, and if I got past the place without knowing it, instead of turning back, I would go until a road was found turning in the right direction, take that, and come in by the other side.
When we first started growing our employees, I was scared. I would often think, 'If we had more people, what would they do? Is there really enough work?'
I got scouted for modeling, and it was really scary - I was walking my dog wearing heels for the first time ever because I had a party to go to the day after, and I wanted to practice, and this black car kind of started following me, so I, being dramatic, picked up the dog and started to run.
When I first started writing, when I was 15, I would go to work with people and they would tell me my lyrics were too mature for my age!
It got to the point where I would wake up at 6 A.M. and go on my phone and tweet something and have it be really good and get lots of retweets... and then I would wake up, because it was actually a dream; I would wake up with my hand holding nothing - an air phone.
I'm not sure what my material would have been if I'd have started earlier. I probably would have started with 'Damsels in Distress' kinds of films because that's the kind of comedy I was writing in college. So I didn't really have any life experience to work off of.
I started in theater. I would liken sitcom work more to theater work than I would, perhaps, to dramatic television. It's so quick. It kind of feels like the pace of a play.
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