A Quote by Bernie Leadon
I'd do a demo recording by myself, layering instruments on top of one another, and while that's fun, it doesn't have the same impact as getting some great players together in a great studio with a great engineer and producer, then waiting for the magic.
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Not only do you need great lyrics, a great message, a great story, great vocals, great chords... you also need great instrumentation, great editing, great sonics, great mixing, and great mastering. It all comes together to make something truly great, and I think each element combines together to create a powerful impact on the consumer.
If you are recording, you are recording. I don't believe there is such a thing as a demo or a temporary vocal. The drama around even sitting in the car and singing into a tape recorder that's as big as your hand - waiting until it's very quiet, doing your thing, and then playing it back and hoping you like it - is the same basic anatomy as when you're in the recording studio, really. Sometimes it's better that way because some of the pressure is off and you can pretend it's throwaway.
It's great to have a job and then go to another one, and have another one to go to after that. It doesn't always happen; you might be waiting a few months. But I've had some interesting roles, and worked with some great people. And it has been a really interesting mix between theatre television and film.
The fun of the game is right now. A lot of people don't really realize that. They think you have to get to the top to start having fun, and it's not. It's the journey getting to the top where everything is always great. I'm on the 'Ferris Bueller' thing where I look around every once in a while so I don't miss it.
When I was a little kid wanting to play music, it was because of people like Pete Johnson, Huey Smith, Allen Toussaint, Professor Longhair, James Booker, Art Neville ... there was so many piano players I loved in New Orleans. Then there was guys from out of town that would come cut there a lot. There was so many great bebop piano players, so many great jazz piano players, so many great Latin piano players, so many great blues piano players. Some of those Afro-Cuban bands had some killer piano players. There was so many different things going on musically, and it was all of interest to me.
I am against great themes and great subjects... You can't film an idea. The camera is an instrument for recording physical impact.
I don't think of myself as a great improver. A lot of times there's long periods of silence when everyone in the recording studio is looking at their watch and waiting for me to say something. And I'm searching desperately in my brain for anything before something dribbles out.
The Stones are not the kind of band that want to get in the details. That's why they have a producer and engineer - to pull the magic out of them and make them sound so great.
I got out of high school, bought a recording studio and started operating it as an engineer and a producer.
I've played with some great players and against some great players, and Sonny is special, he's so humble and I think that you underestimate that because of the work he puts in, then his quality, outstanding left foot, right foot.
Recording at Compass Point was really fantastic. When you're in the studio, you could be anywhere: It could be snowing outside or whatever. But it's great fun when you come out of the studio and are greeted by nice weather and good bars.
I'm not angry. As an athlete ... you should be open to criticism, and you're allowed to be criticized, because not everybody has the same opinion, not everybody likes the same players. The rankings are quite volatile: Today you're 'great,' tomorrow you're 'not,' but then you're 'great' again. It makes for great stories. Now, I always look at the long term and by doing that, obviously, I can stay calm through the storm.
I'm very thankful to the Krafts for giving me the opportunity to be their head coach. I've had some great times and been involved with some great players and great people.
There have been times when I've been asked to do things and I've thought, 'This is great! This is a great script. But, I do not believe myself in this role.' I pretend I'm the producer and I think, 'If I was making this movie, would I cast myself in this part,' and if that doesn't feel right to me, then I don't even go audition for it.
There have been times when I've been asked to do things and I've thought, "This is great! This is a great script. But, I do not believe myself in this role." I pretend I'm the producer and I think, "If I was making this movie, would I cast myself in this part?," and if that doesn't feel right to me, then I don't even go audition for it.
One of my favorite things as an engineer is watching a band get comfortable in the studio and getting a great take. Like, they're playing the song, warming up, and then suddenly, the communication really happens and everybody's really in the song, and they nail it, and then that's the take.
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