A Quote by Bernie Mac

I can act. I've been acting for a long time, but like anything else, don't nobody owe you nothing. You've go to pay your dues. You go from A to Z; you don't go from M to Z.
I like to write on airplanes... that forced meditation time when you have nothing else to do, so your mind is allowed to go to places it wouldn't otherwise go.
In my stand up, I think I try to be less energetic because I feel embarrassed about how much enthusiasm I have. There's something about acting like I don't care, or if I act like I haven't spent enough time on it, it seems to go better. If I act like I'm really trying to sell it, it doesn't go as well.
My whole plan in my head has always been, if I go a year without acting, it's time to go home; it's time to go back to Montreal.
Nobody else in the world can do what we can do. And nobody else is willing to do it for altruistic reasons. I mean, we don't go into places like Iraq to grab their oil or colonize their country. We go there to deliver, as George W. Bush said, the blessings of liberty.
Bands should definitely pay some dues and go through it, go to small clubs, build a fan base, all that kind of stuff, because it's not real, otherwise.
People who put money in the church basket and people who go to church and pay the pastor: that isn't real philanthropy; that's just like you belong to a country club. You pay your dues to belong to that church, so you pay your tithing or whatever it is.
I'd definitely like to study other things and keep on learning all the time, but I wouldn't want to do anything else. Ultimately, acting is my craft. I've always been interested in psychology and nutrition, but I don't know that I'd go and make that my profession.
When I go in to 'Comedy Bang Bang,' I'll go in most of the time with some beats of where we're going with the idea. Everything else is improvised. Nothing is scripted. A lot of times I'll go in there with nothing and it's just conversation with the character.
Acting is bad acting if the actor himself gets emotional in the act of making the audience cry. The object is to make the audience cry, but not cry yourself. The emotion has to be inside the actor, not outside. If you stand there weeping and wailing, all your emotions will go down your shirt and nothing will go out to your audience. Audience control is really about the actor
When you choose your fields of labor go where nobody else is willing to go.
When I had dinner with a friend or a loved one and one of you pays for the check and the other says, "I owe you next time." I like to think that we're eternally even - that they don't owe me anything or I don't owe them anything if you have a connection with somebody or a love with somebody. I like to think that there's no debt to pay. You love each other and you're happy to pay for dinner every time.
So many things could go wrong, on any film. I've been out in L.A. for eight years and I've been acting professionally for a long time, and you realize that you have to prepare and work hard, but you never know what could go wrong.
Each of us assumes everyone else knows what HE is doing. They all assume we know what WE are doing. We don't...Nothing is going on and nobody knows what it is. Nobody is concealing anything except the fact that he does not understand anything anymore and wishes he could go home.
Go learn the language. Go take some acting lessons. Start from zero like everybody else.
I just kind of do my own thing. I'm not trying to be like nobody else or nothing like that. Like when I travel, everybody's like, go to Dubai, it's a new thing. I can go to Dubai, but I'm not going to just because I'm not trying to go where everybody is going.
Before I chose Dauntless...I felt assured of my long lifespan, if nothing else. Now there are no reassurances except that where I go, I go because I choose to.
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