A Quote by Bernie Mac
I'm an entertainer and I really enjoy entertaining. I think if you're going to really be what you say you are, you have to really live it, work it, practice it, and think it.
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Coming at the acting business as a technician, I really enjoy the process of working. I really enjoy being in a rehearsal room, starting a theatre piece for the first time. I really enjoy shooting in front of the crew, and I really love going on location. I think all that is just so exciting. So I've never really been drawn into the fame of being an actor, which in L.A., is part and parcel of the deal. I think for a lot of people, especially kids, it's hard to not get wrapped up in the world of the perks that the job brings.
Back in the day I wanted to be a James Bond girl and I got really close to it too, but I didn't. But now it's just really about enjoying who I work with, the kind of atmosphere that I'm working in, and the character. That's why I think nowadays I tend to really try to be somewhat picky any more to what I do, not just going out to get a job. And sometimes you have to do that, you have to work just to work. But I'm very fortunate to say that I'm actually working at a job that I absolutely love and enjoy and everybody there I enjoy so much and I feel very blessed.
To know about the movie [jack the giant Slayer], wow. It's an adventure, there are so many special effects flying around. It's going to be really fun, definitely. I think there's something there for the whole family. There is something you can really enjoy, and I think it's going to be a really fun, family film. I'm really excited.
I spent a lot of time doing really unimportant work as an actor. It was important when I started writing that I obviously make it entertaining, or no one is going to go see it - but to really make you think, that is my goal.
I'm really good at melodic and sonic things, but I don't really think I have anything to say. But I really enjoy the puzzle-making of taking words and adding a melody to them.
I really enjoy the direct dialogue with the fans. I'm very cognizant of my audience. I'm a trained storyteller and entertainer, and I know I wouldn't be able to work at the level I work at if people didn't enjoy what I did.
It's always better just to do work that you're really proud of and work that you enjoy because really all you have are the choices you make and that's it and who knows after that. I think that's what I love in acting.
Marriage is a really scary thing. I'm excited about it. I know it's not a mistake, it's the absolute right thing to do. I'm really happy about it. I really, really love my fiancee. We're good friends and I think it's going to work. But that's just the point - it's going to take work. It does make me feel vulnerable to be like, wow, I'm committed to this person for the rest of my life.
You're going to be waiting a long time before you start seeing money from it. Just really sit with yourself and think "Why do I want to be a singer?" like really think it out and if you realize that you really need to stick with then then be really focused and have good intentions on why you're doing it and it will work out.
I think the hallmark of a really good entrepreneur is that you're not really going to build one specific company. The goal - at least the way I think about entrepreneurship - is you realize one day that you can't really work for anyone else. You have to start your own thing. It almost doesn't matter what that thing is.
I think the most rewarding part of the job, and I think most coaches would say it, is practice. If you have it, a very good practice in which you have 12 guys participate, and they can really get something out of it, lose themselves in practice.
I think, initially, working on your own is really great because it allows you to just be really free and not worry about how things are perceived or if people are going to think you're an idiot. And once that becomes ingrained, at least for me, I think I'll feel really comfortable to work with other people and still feel that same freedom.
Where humanity is going to find itself in, say, 20, 30, 40, or 50 years would be very difficult to predict, I think. There are moments, of course, when you think that it's going from bad to worse, but there are other moments when you think that human efforts are really flowering into something really fantastic.
I think that tri [to Ram Bahadur Bomjon] was the first time I'd even seen something that made me think, or really feel: "Ah, I don't know what's really going on in the world - I think I do, and it feels like I do, but whatever is really going on is, de facto, beyond the scope of my comprehension - the best we can do is look for hints." I'd known that intellectually before but that was the first time I really believed it viscerally.
I think we're at a really critical time in terms of art, and I think it's totally possible to have a project that is entertaining but also moving the cultural needle forward. I think it's one of the reasons I'm so grateful to work on 'Billions.'
It's really liberating and fun to be writing stuff for myself, and really have the freedom to say what I want to say and not really have to think about what somebody else is going to say or have to edit myself to speak from someone else's vision.
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