A Quote by Bernie Worrell
As far as arrangements after the basic track is cut, if I'm writing a horn arrangement or playing strings, I might arrange that, plan that out. Other times, I'll just sit and roll tape.
Related Quotes
After I finish writing a chapter, I'll print it out, cut it up into paragraphs, and cut away any transition sentences. Then I shuffle all the paragraphs and lay them out as they come. As I arrange and hold them next to each other, very quickly a natural structure for the chapter presents itself.
I had a guitar sitting around, and it just happened to have four strings on it, and I would sit around watching TV and playing it. I ended up writing bunches of songs around four strings.
I generally prefer to come in to the studio with a fully written song and then work on the arrangement with the band. Sometimes even the arrangements are pretty much already worked out in my head, but other times we experiment.
When I started out, even though you had your rhythm section, they were big horn sections, strings, live people laying on every part of the floor in the studio waiting for their chance to get on that one little track.
In ancient times, people weren't just male or female, but one of three types: male/male, male/female, female/female. In other words, each person was made out of the components of two people. Everyone was happy with this arrangement and never really gave it much a thought. But then God took a knife and cut everybody in half, right down the middle. So after that the world was divided just into male and female, the upshot being that people spend their time running around trying to locate their missing other half.
If I want to be moved by the track, I don't want it to be sequenced, I want it to be somebody playing the guitar or piano or a horn arrangement where you can hear the breath. You can almost smell the studio while listening to the music. For me, that's what moves me emotionally, that's what I came from. I think that's always going to work best for me.
I took a few months off after my senior year was over, and I prayed and tried to figure out what was my plan and my purpose. That's how I started writing songs and playing guitar just to get my feelings out.
A lot of writing I do on tour. I do a lot on airplanes. At home, I write a lot, obviously. When I write a song, what I usually do is work the lyric out first from some basic idea that I had, and then I get an acoustic guitar and I sit by the tape recorder and I try to bang it out as it comes.
You're playing a role, but you're still feeling it. You can walk away from it after 'Cut,' but if you're playing a sad or mixed-up person, it's hard to stay in that place for these longish period of times. You kind of have to check out.
I leave Medicare alone. I create a new system for everyone under 65 where they get health care as a right. It's a basic plan. We roll Medicaid into that, but then we allow people to have choices and get private insurance to supplement that basic government plan.
Although I'm very lazy when it comes to writing, I'm not that lazy when it comes to thinking. I like to develop the plan of a short story, then cut it as short as possible, try to evolve all the necessary details. I know far more about the characters than what actually comes out of the writing.
I think that's the big difference between this one [Ordinary World] and a lot of the other rock 'n' roll movies. They're playing to tape, but Fred Armisen and I were actually in a rock 'n' roll bad together. I also really related to the character, especially when it came to the parenting part. I'm a pretty klutzy parent.
I get nostalgic for things that didn't really exist. I might have a cassette from the first time a Melle Mel track, say, got played on radio in Manchester. And it might be a copy of a copy of a copy of a tape and there's all these weird nuances and distortions that have affected what I know as the truth, if you like, of that track.
I'd say writing songs is, for me, as much playing the tape recorder as it is playing guitar or writing words.
It was spontaneously composed as I was playing it. And then I added a couple of other overdub textures on top of it after the fact. But it's one of those things where I wouldn't be able to sit down and specifically write that. That's just what came out.
I love analogue tape and I love digital, they both have pluses and minuses and I don't really feel like I have to use one or the other. I love digital because it's really great for songwriting because you can just cut and move choruses around and pull chunks of songs. It's really easy to hear quickly "Oh, maybe the arrangement should be like this."
Related Authors
Ani DiFranco Quotes
American
Musician
Bob Dylan Quotes
American
Musician
Brian Eno Quotes
British
Musician
Bruce Springsteen Quotes
American
Musician
David Bowie Quotes
English
Musician
Drake Quotes
Canadian
Musician
Elton John Quotes
English
Musician
George Harrison Quotes
British
Musician
Henry Rollins Quotes
American
Musician
John Lennon Quotes
English
Musician
Madonna Ciccone Quotes
American
Musician
Moby Quotes
American
Musician
Nicki Minaj Quotes
American
Musician
Patti Smith Quotes
American
Musician
Thom Yorke Quotes
English
Musician
Tori Amos Quotes
American
Musician