A Quote by Bert Hardy

Everywhere I look and most of the time I look, I see photographs. — © Bert Hardy
Everywhere I look and most of the time I look, I see photographs.
No one could possibly look all the time like my photographs. It is dreadfully hard to live up to them. They stare at me everywhere.
If you meet people who have been successful in Hollywood, or look a their photographs, you see a haunted look in their eyes, you sense a trapped feeling.
The entrepreneur in us sees opportunities everywhere we look, but many people see only problems everywhere they look. The entrepreneur in us is more concerned with discriminating between opportunities than he or she is with failing to see the opportunities.
My mother said that when I was young I was constantly saying, Look at this - Look at that. I think that taking pictures must be my way of asking people to Look at this - Look at that. If my photographs make the viewer feel what I did when I first took them - Isn't this funny... terrible... moving... beautiful? - then I've accomplished my purpose.
Photographs help people look at things they may not be able or may not want to look at. Until you can look at something, you can't change it. First you have to look at it, then you have a chance to understand it and can change it.
I have a rule that I don't review shows from photographs or from video. I certainly might go back and look at photographs and look at video to remind myself of something or for personal information. But I never review from that.
The difference between how you look and how you see yourself is enough to kill most people. And maybe the reason vampires don’t die is because they can never see themselves in photographs or mirrors.
Kevin Feige and I have very smart people who work for us, who make sure that we see everything. And that we actually see everything. They see everything, tell us about it, we see it. You have to have people who work with you, who say 'you have to look at this film'. And then you look at it. You really have to look at it. You have to look at movies all the time.
It's funny, but certain faces seem to go in and out of style. You look at old photographs and everybody has a certain look to them, almost as if they're related. Look at pictures from ten years later and you can see that there's a new kind of face starting to predominate, and that the old faces are fading away and vanishing, never to be seen again.
Everywhere that I go in the world, people desperately look to American leadership in all of their world's most difficult problems. You can look at any region of the world and the United States is still the country to which those regions look for leadership.
A close friend of mine, Annie Leibovitz, who I've known for forty years, photographs celebrities every single day of the week but they all seem to look the same even though she's one of the most creative photographers alive. They all just look the same. Brad Pitt is a great actor but all the pictures of Brad Pitt look the same.
I've no doubt that those photographs i took will make people look at everything in a more interesting way - the little tear on one piece of paper, the shadow on another. But good painting has always done that - made you see things. And the most ordinary can be the most extraordinary.
We wanted to have in Lotus Eaters something that looks really beautiful on the outside but is not necessarily on the inside. There's a lot of superficial references. I remember we were looking at Helmut Newton's photographs - they just look so glossy and beautiful, but you look closely and you can see the cellulite.
I've always been interested in people that you wouldn't see otherwise. If you look back at my books, photographs, and films-and since I'm doing this retrospective I've been forced to look back-the work is always about a small group of people who are somewhat isolated, and who you would never see if I didn't film or photograph them.
... a fact about photography: we can look at people's faces in photographs with an intensity and intimacy that in life we normally only reserve for extreme emotional states - for a first look at someone we may sleep with, or a last look at someone we love.
Everywhere in a day there is light. Look around. Everywhere. Look at your smart phone. It has a flashlight, an LED flashlight. These are potential sources for high-speed data transmission.
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