A Quote by Bert Kreischer
I get this weird energy that starts in my feet and goes up and fills my head, and I just want to get everyone in the crowd to laugh.
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I get the greatest feeling when I'm singing. It's other-worldly. Your feet are anchored into the Earth and into this energy force that comes up through your feet and goes up the top of your head and maybe you're holding hands with the angels or the stars, I have no idea.
The ultimate objective [of comedy] is to get a laugh, so if you can get a laugh off the fact that you did not get a laugh, then you've kinda saved the moment. Other professions don't have that luxury. You don't want to hear a brain surgeon say, "Man, am I so stupid! I cut on the wrong side of your head!!"
I think as time goes on, I'm trying to get less fatalistic, because that's just one of those unhealthy, kind of dangerous head spaces to get in, of not being able to tolerate sustained positive energy.
Comedy is the drug, when they laugh it's like I'm a jazz musician and they hear it, and they get it. It's power to take the crowd wherever I want them to go. I love it when they laugh, especially when they relate through laughter. It's a beautiful thing. It also means I'm going to get paid, which is nice.
I was a warm-up DJ for many years so I know how to build a crowd, what record goes with the next, it's all about understanding the dance floor and how the energy and flow should go coordinating to what the crowd want or might need.
The mere possibility of getting what we want fills the soul of the ordinary person with guilt. We look around at all those who have failed to get what they want and feel that we do not deserve to get what we want either. We forget about all the obstacles we overcame, all the suffering we endured, all the things we had to give up in order to get this far.
It was just weird. Once you get the ball and you get in a situation, it's like haywire, everything goes crazy, and everybody's running around. You don't know who to pass it to or what to do. So Coach said just slow down and just make the right play. I tried to get the best look I could at the basket.
I never cake someone who doesn't want to be caked - at least, I try not to. Sometimes I miss my target. I'm pretty much going through the crowd making sure I find someone who wants to get caked. If you don't want to get caked, shake your head or tell me you don't want to get caked. It's that easy.
When we have four or five players out it's very difficult to get any continuity at this stage in our development. If I pull the blanket over my head my feet get cold, and if I push it over my feet my head gets cold.
Sometimes I go to a test screening and look at the audience in line, and I start to go, "Okay, I bet this is going to work, and this isn't going to work." It's weird, but just going and facing the music and putting it out before a crowd, even before it starts playing, that exercise of putting it up on a screen for people makes you realize things even before it starts rolling. It's really weird. I've heard other people say that, too.
The work that most people do in the world tends to deaden them, deadens their mind, uses up their energy and they get a paycheck and old age and not much energy. You get the check and they get your energy. That energy is translated into corporate dollars.
At stage separation, before the second motor ignites, to me it was a huge unload. You're practically at a zero-G event at that moment. It's the same thing when you get on orbit, except that it never starts up again. It's continuous. And the best way to describe that would be hanging upside down from your bed, like your head fills with blood.
I'm not always the best at picking out what goes together. I always want to be presentable, but more than that, I want to be different. I've never just wanted to follow the crowd. I think that goes back to when I was a boy. If everyone was doing one thing, I'd do something different.
I get up every morning the same as everyone else, and scratch my head and just get on with the job. Whatever that job may be.
The rich survive and everyone else gets ready to work 2 1/2 to 3 1/2 jobs and what do you get? Blade Runner. Welcome to your science fiction. Your 21st century. I think that's where it goes. The rich get richer and everyone else... the middle class kind of starts dropping lower and lower.
I think commercials are something that everyone does to get out there and get a little bit of exposure, get their feet wet, and also pay the bills. So anytime you can be a part of a wonderful, fun commercial, that's just a bonus.
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