A Quote by Bert Kreischer

I really respect those guys that get $250,000 for punching up scripts, because it's an art form. — © Bert Kreischer
I really respect those guys that get $250,000 for punching up scripts, because it's an art form.
Members of the middle class do not have to worry about falling off $250,000 sailboats because they don't have $250,000 sailboats to fall off of.
I don't really want to just play the girlfriend or the love interest. I get so many scripts like that, and - not to moan, because I'm really fortunate - but I just look at those scripts, and my heart sinks a little bit because I think there's so much more to us than that.
I enjoy fashion photography and textiles, that whole aspect of it. As more of an art form, I like Proenza Schouler. Those guys are really cool because they seem to have an interesting approach to it all.
Just to be mentioned in the same sentence with those guys feels good, but I want to take it to another level. I respect those guys because they did it. I'm trying to get where they're at, where people talk about me bringing a championship here.
I get a script and it's really interesting with scripts, because you never really know. It's paper and it could be great or awful. Even scripts that are good could end up not working.
Those guys were made for me and Muhammad because they come straight in and don't back up but you had to watch out for his punching power but if we could have neutralized that then we would have been fine.
I have a standing offer of $250,000 to anyone who can give any empirical evidence (scientific proof) for evolution. My $250,000 offer demonstrates that the hypothesis of evolution is nothing more than a religious belief.
Theatre was an art form that I didn't really respect, and because I wanted to shake it up and do different things on stage, I was able to combine all the things I'd learnt through writing on my own.
I don't think you want to hurt businesses that are making $250,000 or $500,000. Those are the real people who created the opportunity to put people to work.
Acting is primarily is where I want to go. But seeing how the visual effects guys work, and the special effects guys and the art department guys, how they work and seeing their visions is really interesting. I don't think those guys get the recognition they deserve.
Real is when you go to training camp. Real is when you finally get the guys in pads. Real is those guys in that locker room setting those goals because we have some guys now that can set goals and expectations for those guys in the locker room because, ultimately, who are the Cleveland Browns but those guys in that locker room.
It's really interesting with scripts, because you never really know. It's paper and it could be great or awful. Even scripts that are good could end up not working.
Our goal is to tell people about the International Space Station. I think very rarely people look up 250 miles and think, What are those guys working on, what are those men and women doing at this moment... They're living and doing regular things, but also doing incredible work as well. We really want to bring that to people.
I think one of the things you have to have is a respect for the camera, a real respect, and a real love for it, and to really, when I say take it seriously, quote 'seriously', I mean not patronize it. It's a big mistake to patronize it and think it's a third rate medium, because it's not, it's a great art form.
When I grew up Carl Lewis was still running, Maurice Greene was running - he was that figure I see, like Michael Johnson. I really wanted to look up to the fast guys - so those two guys were some of the guys I looked up to.
I want to be known to fans and appreciated as a 'boxer-painter' in regards to speed, footwork, punching power - an art form inside the ring.
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