A Quote by Bert McCracken
When I hooked up with them I was still going to Narcotics Anonymous. But they were never into drugs. If it weren't for the band, I think I'd still be getting high.
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When I got into my early 20s, I was going to bed one nightI was still drinking, still using drugs, and probably was drunk or high or both when I just picked up the Bible and started reading to go to sleep. I was amazed at how well I slept, but even beyond that, the next day, there was this peace of mind that was still there that I wasnt used to.
The hardest part was getting the window net hooked back. I didn't think I was ever going to get it hooked. I finally got it hooked. If I'd known that I wouldn't have tried to hook it.
The main reason we didn't break up is because we weren't really a college band. We were just, two dudes who were messing around with music. We never played off-campus except for once or twice. We never had any ambitions to make it as a band after college, or anything like that. So that probably worked in our favor. We never took anything seriously, we still don't!
My idea of what was going on in politics was driven by activism. I came out when I was 17, and right away I started working in the AIDS activist movement. For me, politics was about getting drugs approved and getting prisoners access to the same kind of drugs that you could get on the outside. It was about getting needle exchanges approved. That was politics. These were policy problems that were killing people, and we were trying to get them changed.
Flickering lights anonymous doors my heart escaping in drips i'm still waking up but she's still sleeping this ICU is hotel for the dead
I think the Cosmic Psychos were a band that was highly influential on the Seattle so called grunge scene. I know that Kurt and Nirvana were fans, they played shows with Pearl Jam. Even thou the Cosmic Psychos never had the commercial impact or success that those bands had, they were still a major influence on them, and I think a lot of it had to do with the spirit and the sound of their music.
I watched all kinds of dirty movies as a kid. My parents were very liberal about that, and I was still an uber-nerd who never drank or did drugs. I don't think it matters.
I might have been lucky to grow up in the 90s, but I think, actually, we started getting complacent about prejudice. We thought we had killed prejudice, and if you were still talking about it you were just going on too much.
Of course, I came up around music and fame, but this is still my first time experiencing it all. I'm still going through it like anybody else goes through it. But I'm still doing something I've never done before.
We had to do something at [a festival in Washington, D.C.]. I remember Chris Martin, by then we all knew him, there were certain people who were regulars. He would say, "Oh, my God, you guys, I think I'm going to throw up." It was a daytime festival, and they went on right after some really heavy band, and he was saying, "I don't think I can do this. I think I'm going to throw up." He was in the bathroom thinking he was going to be sick. He said, "They're going to hate us." In fact, they hated them. They hated Coldplay - did not go over well. His instincts were correct.
But what I realized when I was looking back at them was that no matter how different they are, they're still coming from me, and they're still coming from my brain and my set of obsessions. I think that no matter how different I tried to make them, there were just these certain questions that I just kept circling back to as I was writing. I think they were the ones I was really swept up in in that decade.
More people with HIV/Aids are getting inexpensive anti-retroviral drugs, and their life expectancy has increased, but universal access is still far off, and the disease is still spreading, if more slowly than before.
Picasso and Matisse were the guys I wanted to get away from, and cubism is all still lifes. Their paintings are all closed drawings. And still life is a perfect form for that. By the mid-'50s, I sort of dropped the still life. The large picture was a way of getting around them, too. The abstract expressionists were also into the large form because it was a way of getting around Matisse and Picasso. Picasso can't paint big paintings. Matisse didn't bother after a certain point.
I'm not going to give up. If people think I'm going to give up the French national team, they're mistaken. I'm still here, and I'm still hungry for trophies.
I ended up dropping out of high school. I'm a high school dropout, which I'm not proud to say, ... I had some teachers that I still think of fondly and were amazing to me. But I had other teachers who said, 'You know what? This dream of yours is a hobby. When are you going to give it up?' I had teachers who I could tell didn't want to be there. And I just couldn't get inspired by someone who didn't want to be there
[Peter] Tchaikovsky's "1812 Overture" was my first go-to song in terms of getting into the zone and getting ready and then I quickly gravitated to rock and roll music in the mid-'60s with the Grateful Dead, Bob Dylan, Neil Young, The Beatles, Crosby, Stills & Nash, The Rolling Stones, Carlos Santana. So many of them are still around and still going strong. I go out to see them all the time.
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