A Quote by Bertie Carvel
I think. as a child, there's something frightening about certain adults, particularly when you're in their clutches or power. That must be the reason why Roald Dahl creates such brilliant characters: He taps into something in the collective memory of people.
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Memory is strange. Scientifically, it is not a mechanical means of repeating something. I can think a thousand times about when I broke my leg at the age of ten, but it is never the same thing which comes to mind when I think about it. My memory of this event has never been, in reality, anything except the memory of my last memory of that event. This is why I use the image of a palimpsest - something written over something partially erased - that is what memory is for me. It's not a film you play back in exactly the same way. It's like theater, with characters who appear from time to time.
Even when he transposes Roald Dahl's 'Fantastic Mr. Fox,' he injects so much of his own personality and his own world that it becomes a Wes Anderson story, and you forget that Roald Dahl is behind the story. That's the proof of great directors to be able to digest and recreate sometimes a classic.
I think Roald Dahl had the rarest combination of talking to kids about complex emotions, and he was able to show you that the world of kids was sophisticated, complex, and had a lot more darkness than adults ever want to remember.
The prime function of the children's book writer is to write a book that is so absorbing, exciting, funny, fast and beautiful that the child will fall in love with it. And that first love affair between the young child and the young book will lead hopefully to other loves for other books and when that happens the battle is probably won. The child will have found a crock of gold. He will also have gained something that will help to carry him most marvelously through the tangles of his later years. Roald Dahl
Why do I love Roald Dahl? His voice, more than anything. It's irreproducible. It's so musical, and it's funny even when it's not trying to be, which is most of the time.
When I was a child I devoured every book I could get my hands on. I loved losing myself in colourful and dramatic stories - and my absolute favourite was 'Charlie And The Chocolate Factory.' Everything about it electrified me, and when I re-read Roald Dahl's books as an adult it surprised me.
Adults look upon a child as something empty that is to be filled through their own efforts, as something inert and helpless for which they must do everything, as something lacking an inner guide and in constant need of inner direction. . . . An adult who acts in this way, even though he may be convinced that he is filled with zeal, love, and a spirit of sacrifice on behalf of his child, unconsciously suppresses the development of the child's own personality.
If you are a LGBTQ person, if you're going to travel somewhere, you do need to be mindful of where you're going, particularly depending on the country. That's just something unfortunately you need to think about. It's something you need to think about if you're a woman, it's something to think about particularly if you're a trans woman, and the problems a lot of trans people face when they're travelling.
I always tell people go see something you don't know about. Something you didn't read a ton about on the internet. Something that you don't know what's going to happen because I think that kind of pleasure of finding something new and discovering it, creates a hunger in you.
I love Roald Dahl.
When you do something that works you have a happiness, but I don't know if it's a feeling of power. Power is a frightening thing and that's not what I'm interested in. I want to do certain things and make them right in my mind and that's it.
My characters are always unlucky in love. It's annoying, but perhaps there is something in me that is suited to characters that have a darkness. Maybe it's why I play such damaged people when I'm not particularly damaged myself, I would say.
If I have done a role that's taken me to a certain space emotionally, I won't repeat that; I would rather do something now that taps into something else in my psyche... maybe something that makes me nervous.
I think the corruption of power is very interesting, and I think the idea that power is something that... You know, when people want power, they're a certain individual. When people acquire power by accident, they're different again.
I've always been interested in a certain kind of sophistication in children's literature. I loved Roald Dahl; I loved the underlying nastiness of some of his - darkness of his tales.
A story is ultimately a memory. It's important when you're telling a story to think about why this memory is a memory. You don't remember everything in life; you just remember certain things - so, why this one?
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