A Quote by Bertolt Brecht

Oh why do we not say the important things, it would be so easy, and we are damned because we do not. — © Bertolt Brecht
Oh why do we not say the important things, it would be so easy, and we are damned because we do not.
For many years, I've wanted to do one, and I've always mentioned it to the chieftains, and they would say things like, 'Oh well. Christmas albums don't sell,' and things like that. But that's not the point. Christmas albums are important. The music is important. The season is important.
I think the idea is to try and understand everything about the characters and where the character is coming from, from their point of view, why they say what they do. And not, 'Oh, but I would never say that. Why does the character say that?' But then making it as personal as possible.
In a way, literature is true than life,' he said to himself. 'On paper, you say exactly and completely what you feel. How easy it is to break things off on paper! You hate, you shout, you kill, you commit suicide; you carry things to the very end. And that's why it's false. But it's damned satisfying. In life, you're constantly denying yourself, and others are always contradicting you. On paper, I make time stand still and I impose my convictions on the whole world; they become the only reality.
Throughout my years in business, I discovered something. I would always ask why you do things. The answers that I would invariably get are: 'Oh, that's just the way things are done around here.' Nobody knows why they do what they do. Nobody thinks very deeply about things in business.
I am not really thinking, I am just, working with the music. And people have asked me, why don't you say more, or why do you not have singers, or why don't you sing? I think it's because, if I would have words for what I am doing, I I could write. But I really don't. It's a whole different thing. And I think it's one of the beauty of instrumental music is that it can be background. It can be what people call "easy listening." But it's really one of those things where it's as much as you are willing to give it.
I learned to produce whether I wanted to or not. It would be easy to say oh, I have writer's block, oh, I have to wait for my muse. I don't. Chain that muse to your desk and get the job done.
I think anyone who has a boy would tell you that they do the sort of things that make you look at them and ask why they would do that. 'Oh right, because you're a boy.'
It often occurs to me that we love most what makes us miserable. In my opinion the damned are damned because they enjoy being damned.
It's easy to let ourselves off the hook and say, 'Oh, I would never own slaves.' Because this is in the DNA of this country, like we saw in Ava DuVernay's film '13th.' The cycle keeps repeating itself.
I think it's not an easy task because there's not enough Latino writers that are being given opportunities to write things - and I say this because I've been given a lot of bilingual movies in the past because of my career in Mexico, and they're like, "Oh, it's going to make sense for her to do this." A lot of studios want to hit that demographic, but they sort of do it without starting in the right way, which is having someone who knows the culture, and enjoys the language as well, to be able to write these things.
One of the important lessons of the Internet is, how easy it is to get things done completely shapes what gets created. For that reason, technologies like Amazon's cloud service are very important. Even if they aren't technically impressive, they make things easy to do.
Sadly - and I think this is why it's so important that we do this more - I don't have that guiding light. You know, "Oh, that Sleepless in Seattle bilingual something," like, it doesn't exist. I don't have it in my memory, and that's why I thought it was important to make it.
People would say, "Oh, you say you just do jokes." I don't just do jokes. I do jokes. Jokes are important. They saved my life when I was younger. Hopefully we're making things nicer at the end of the day for people. That's the entire goal, and that's the touchstone and the North Star for the tone.
People say it's a bit repetitive to say, 'Oh oh oh oh oh oh,' but you can't translate the melody into words.
We do have a choice at the end of the day to say yes or to say no. There have been things that I have passed on where agents at the time were like, "you're crazy, why would you pass on this," because it wasn't something that I personally wanted to be a part of.
But I say these things in an objective dispassionate manner because, you know, and I can't explain why, but being one of the greatest guitarists in the world simply is not very important to me.
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