A Quote by Bertolt Brecht

What rapture, oh, it is to know A good thing when you see it And having seen a good thing, oh, What rapture 'tis to flee it. — © Bertolt Brecht
What rapture, oh, it is to know A good thing when you see it And having seen a good thing, oh, What rapture 'tis to flee it.
How fair doth Nature Appear again! How bright the sunbeams! How smiles the plain! The flow'rs are bursting From ev'ry bough, And thousand voices Each bush yields now. And joy and gladness Fill ev'ry breast! Oh earth!-oh sunlight! Oh rapture blest! Oh love! oh loved one!
The thing I hate most is false modesty. The artists who are, like, "Oh, you know, I'm really not that good. Oh, I can't believe I'm here." I find it vaguely sinister, even.
The thing I hate most is false modesty. The artists who are, like, 'Oh, you know, I'm really not that good. Oh, I can't believe I'm here.' I find it vaguely sinister, even.
Sometimes when you write a thing you think, 'Oh, this is good', and it's not a modesty or an immodesty thing, you just... it's just the same with anything; when you write a piece you just figure, 'Oh yeah, I'm on a roll here. This is good; I'm getting the hang of this'. Some pieces are better than others.
Until the church is holy there'll be no rapture - I don't care what theory of the rapture you have.
In the prequel we're going to tell about the characters before Left Behind, and the book would end with the rapture instead of start with the rapture like the first one did.
I know a good story from a bad story. But when you have a really good story and they make it bad, I'll say to my wife, "Oh, tonight, I'm going to enjoy watching television because I did great, and wait until you see this." And then, they put it on and it's like - oh, that's not so good. They are fake news.
Assuming that rapture is nature's play with man, the Dionysian artist's creative activity is the play with rapture.
I came on the intro with 'The Rapture.' If you know what the rapture is, it's the coming of Jesus, and I had to take it off because of what happened...I had the destruction, the bombs, and...the world coming to a end, so it had to come off.
Why do all the clerks and navvies in the railway trains look so sad and tired, so very sad and tired? I will tell you. It is because they know that the train is going right. It is because they know that whatever place they have taken a ticket for that place they will reach. It is because after they have passed Sloane Square they know that the next station must be Victoria, and nothing but Victoria. Oh, their wild rapture! oh, their eyes like stars and their souls again in Eden, if the next station were unaccountably Baker Street!
Oh! 'tis a precious thing, when wives are dead, To find such numbers who will serve instead: And in whatever state a man be thrown, 'Tis that precisely they would wish their own.
Let the power come. Let ecstasy erupt. Allow your heart to expand and overflow with adoration for this magnificent creation and for the love, wisdom and power that birthed it all. Rapture is needed now - rapture, reverence and grace.
Oh, hasten not this loving act, Rapture where self and not-self meet: My life has been the awaiting you, Your footfall was my own heart's beat.
Though the heart wear the garment of its sorrow And be not happy like a naked star, Yet from the thought of peace some peace we borrow, Some rapture from the rapture felt afar.
I do sometimes wonder if people think, 'Oh we'll have her because she cries well.' The odd thing is I don't really know where it comes from. If the script is good, I find I can usually cry without too much trouble - in fact, the hard thing is trying to get me to stop. But I'm not really a crier in real life. I'm not a dramatic person, you see.
Oh! Moon of Alabama We now must say good-bye We've lost our good old mama And must have whiskey Oh, you know why!
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