A Quote by Bertrand Russell

All forms of fear produce fatigue. — © Bertrand Russell
All forms of fear produce fatigue.
Worry is a form of fear, and all forms of fear produce fatigue. A man who has learned not to feel fear will find the fatigue of daily life enormously diminished.
I had had to learn the difference between the bearable fatigue and the unbearable, the fatigue of fear. The first can be cured by a night's sleep; the second kills.
I do not mean to say that such institutions act unilaterally on psychic life, or that they determine certain psychic outcomes. Rather, they exploit forms of fear and insecurity that are there for any population - no political organisation of life could ever fully do away with fear and insecurity; but some work to intensify, accelerate, and make more acute forms of fear, and to provide ideological focus for such intensified fears, at which point critical thinking has a fierce rival. The critical analysis that shows precisely how those forms of fear are promulgated, and for what purpose.
The need to be a great artist makes it hard to be an artist. The need to produce a great work of art makes it hard to produce any art at all. . . Fear is what blocks an artist. The fear of not being good enough. The fear of not finishing. The fear of failure and of success. The fear of beginning at all.
Studies by Medical Corps psychiatrists of combat fatigue cases... found that fear of killing, rather than fear of being killed, was the most common cause of battle failure, and that fear of failure ran a strong second.
The abstract intelligence produces a fatigue that's the worst of all fatigues. It doesn't weigh on us like bodily fatigue, nor disconcert like the fatigue of emotional experience. It's the weight of our consciousness of the world, a shortness of breath in our soul.
I think the big mistake in schools is trying to teach children anything, and by using fear as the basic motivation. Fear of getting failing grades, fear of not staying with your class, etc. Interest can produce learning on a scale compared to fear as a nuclear explosion to a firecracker.
So with the young African artists. What they have to learn from tribal art is not how to copy the traditional forms, but the confidence that comes from knowing that somewhere inside them there should be the vitality which enabled their fathers to produce these extraordinary and exciting forms.
That is to say, politics is essentially about the management of fear, an economy of fear, continually adjusting the level of fear to produce the right level of affect in the citizenry.
Forms and rituals do not produce worship, nor does the disuse of forms and rituals. We can use all the right techniques and methods, we can have the best possible liturgy, but we have not worshiped the Lord until Spirit touches spirit.
I work from fatigue to fatigue at my age there's only so much daylight left.
Acting, really, is a lot of mental fatigue, emotional fatigue, concentration... it's mentally draining.
Fear and fatigue block the mind. Face both, then courage and confidence flows into you.
Everybody goes through a phase of fatigue, and I am no different. Re-inventing yourself in your profession is the key to deal with fatigue.
Fear is like fire. You can make it work for you: it can warm you in the winter, cook your food when you're hungry, give you light when you are in the dark, and produce energy. Let it go out of control and it can hurt you, even kill you... Fear is a friend of exceptional people... You must understand fear so you can manipulate it.
I start with fear. It comes in so many forms. When I write, some of the fear goes away. So I write into the fear, and even more dissipates. I want to be scared while writing. I want to bring it to the surface so I can banish it.
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