A Quote by Bertrand Russell
What else is there to make life tolerable? We stand on the shore of an ocean, crying to the night and to emptiness. Sometimes a voice of one drowning, and in a moment the silence returns. The world seems to me quite dreadful, the unhappiness of many people is very great, and I often wonder how they all endure it. It is usually the central thing around which their lives are built, and I suppose if they did not live most of their lives in the things of the moment, they would not be able to go on.
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Everything happens as though I were only one of the particular existences of some great incomprehensible and central being.... Sometimes this great totality of life appears to me so dramatically beautiful that it plunges me into ecstasy. But more often it seems like a monstrous beast that penetrates and surpasses me and which is everywhere, within me and outside me.... And terror grips and envelops me more powerfully from moment to moment.... My only way out is to write, to make others aware of it, so as not to have to feel all of it alone, to get rid of however small a portion of it.
Each of us face a moment in our lives called 'the breakdown moment.' This is the time when you must stand toe to toe, eyeball to eyeball, with the very thing you have tried desperately to avoid. In that moment, when there is nothing standing between you and the thing you fear the most, you will be forced to step into your greatness, because that is what life is demanding of you.
We live our whole lives, and in our dying moment, we have to ask ourselves, 'What did we really care about? What impact did we make on the world?' The older I get, the more I realize the answers have to do with how we affect and love the people around us.
I think that's the thing I learned at 'Saturday Night Live' - any time I would try and strategize, I would always, always fall on my face. Things worked out when I tried to make it about what I was feeling at that moment and what I was into in that moment of my life.
We are often told we are materialistic. It seems to me, we are not materialistic enough. We have a disrespect for materials. We use it quickly and carelessly. If were genuinely materialistic people, we would understand where materials come from and where they go to. But, at the moment, the entire global economy seems to be built on the model of digging things up from one hole in the ground on one side of the earth, transporting them around the world, using them for a few days, and sticking them in a hole in the ground on the other side of the world.
It`s great to be able to drive around and spy on people, which I do when I'm writing. People tell me the most personal things about their lives for no reason - on airplanes, everywhere I go. People just blurt out secrets. I'm not sure why. I think that they see in my films that nothing will make me uptight. I'm not going to judge them.
I suppose in our contemporary lives, our cumulative e-mails might constitute a kind of diary: that informal, moment-by-moment description of life as it goes by. . As I think of those notes now - what I wrote, what I said - it seems to me they danced across the surface just as my grandmother's diaries did - Anais Nin she wasn't, and I wasn't, either. Who is? Not even Anais Nin.
This moment, this being, is the thing. My life is all life in little. The moon, the planets, pass around my heart. The sun, now hidden by the round bulk of this earth, shines into me, and in me as well. The gods and the angels both good and bad are like the hairs of my own head, seemingly numberless, and growing from within. I people the cosmos from myself, it seems, yet what am I? A puff of dust, or a brief coughing spell, with emptiness and silence to follow.
Every drop of water in an ocean contains the flavor of the whole ocean. So too, every moment in time contains the flavor of eternity, if you could live in that moment, but most people do not live in the moment which is the only time they really have.
This silence, this moment, every moment, if it's genuinely inside you, brings what you need. There's nothing to believe. Only when I stopped believing in myself did I come into this beauty. Sit quietly, and listen for a voice that will say, 'Be more silent.' Die and be quiet. Quietness is the surest sign that you've died. Your old life was a frantic running from silence. Move outside the tangle of fear-thinking. Live in silence.
You can't control what goes on around you, you can't. But for me, I think there's staples of these moments, that crazy moment where you think you're indestructible. That moment where you find out that you're not. And then that moment where all of a sudden you go, okay, I'm not indestructible but I'm gonna be okay. You have this life, and we all have these lives we live but it takes a bit of learning before you realize not every drama's going to kill you and not every hard day has to lead to another one.
I suppose for a very long time I've been trying to understand how it is that people might make sense out of their lives and make meaning and make their lives meaningful in the face of the trouble that life brings.
At the moment of death, there are two things that count: whatever we have done in our lives, and what state of mind we are in at that very moment. Even if we have accumulated a lot of negative karma, if we are able to make a real change of heart at the moment of death, it can decisively influence our future, and transform our karma, for the moment of death is an exceptionally powerful opportunity to purify karma.
The real meditation practice is how we live our lives from moment to moment to moment.
I write about heroes all the time, and I'm struck by how much of what fills us with wonder in the man-made world was the brainchild of a monster. I mean, slaves built most of the ancient wonders, our city skylines are dominated by the product of sometimes very ruthless capitalist ideals. There's a horrifying thought that I often wonder, which is, are monsters sometimes necessary?
What comics sacrifice and what lives they live - I know that most of their lives, their adult lives, they're sitting around or walking around with notebooks, writing things down. Usually they're fairly sensitive. Usually they're very bright. And that makes them poets.
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