A Quote by Bertrand Russell
The reformative effect of punishment is a belief that dies hard, chiefly I think, because it is so satisfying to our sadistic impulses.
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I think when we talk about corporal punishment, and we have to think about our own children, and we are rather reluctant, it seems to me, to have other people administering punishment to our own children, because we are reluctant, it puts a special obligation on us to maintain order and to send children out from our homes who accept the idea of discipline. So I would not be for corporal punishment in the school, but I would be for very strong discipline at home so we don't place an unfair burden on our teachers.
Love never dies a natural death. It dies because we don't know how to replenish its source. It dies of blindness and errors and betrayals. It dies of illness and wounds; it dies of weariness, of witherings, of tarnishings.
It is hard to tell if capital punishment has such an effect. And even if, in some contexts it has (such as in the American South with a very high incidence of murder), this effect may very well go away if a decent welfare state was replaced for the existing social order.
We live in a world, it's very hard for Americans to understand that every 20 seconds a kid dies, a kid under the age of five, right, dies somewhere on the Earth because of lack of access to clean water and sanitation. Every 20 seconds that happens on our planet. It's just very hard for us to relate to.
Our impulses are our birthright. To alter personality would be unjust, almost criminal, for the impulses that make a fool or worse of us in certain circumstances may be necessary for our happiness.
the myth of childhood happiness flourishes so wildly not because it satisfies the needs of children but because it satisfies the needs of adults. In a culture of alienated people, the belief that everyone has at least one good period in life free of care and drudgery dies hard. And obviously you can't expect it in your old age. So it must be you've already had it.
We are all ruled in what we do by impulses; and these impulses are so organized that our actions in general serve for our self preservation and that of the race.
When we do align with it, we thrive. And when we do not, we suffer. This is not "punishment." It is merely the Law of Cause and Effect. With each thought we think, we either align with universal love, or we disconnect ourselves from it. Whichever is our choice determines whether we then feel connected to, or disconnected, from our own true Selves.
Weakness is a great thing, and strength is nothing. When a man is just born, he is weak and flexible. When he dies, he is hard and insensitive. When a tree is growing, it's tender and pliant. But when it's dry and hard, it dies. Hardness and strength are death's companions. Pliancy and weakness are expressions of the freshness of being. Because what has hardened will never win.
I don't know if it's a sadistic side or whatever, but you take characters and put them in really awful situations and make them go through that. And it's very satisfying as a director to explore that, to tell those stories and to explore those themes, because it is so human.
Violence comes from the belief that other people cause our pain and therefore deserve punishment.
It's most satisfying to have an effect on the public realm - deep down I think it's what every architect wants to do.
Nothing can tell us so much about the general lawlessness of humanity as a perfect acquaintance with our own immoderate behavior. If we would think over our own impulses, we would recognize in our own souls the guiding principle of all vices which we reproach in other people; and if it is not in our very actions, it will be present at least in our impulses. There is no malice that self-love will not offer to our spirits so that we may exploit any occasion, and there are few people virtuous enough not to be tempted.
If the heart be chiefly and directly fixed on God, and the soul engaged to glorify him, some degree of religious affection will be the effect and attendant of it. But to seek after affection directly and chiefly; to have the heart principally set upon that; is to place it in the room of God and his glory. If it be sought, that others may take notice of it, and admire us for our spirituality and forwardness in religion, it is then damnable pride; if for the sake of feeling the pleasure of being affected, it is then idolatry and self-gratification.
When I got into "Anna Karenina" and "Brothers Karamazov" and "Crime and Punishment," that was the stuff that - that had a big effect on me, because it was so psychological.
I am a director because I believe in my own impulses and my own point of view, and that belief encourages me to tell stories that will move, provoke, and change people. But I became a director because I wanted to be a part of the world.
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