A Quote by Bertrand Russell
I have found, for example, that if I have to write upon sum rather difficult topic, the best plan is to think about it with very great intensity-the greatest intensity of which I am capable-for a few hours or days, and at the end of that time give orders, so to speak (to my subconscious mind) that the work is to proceed underground. After some months I return consciously to the topic and find that the work has been done.
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The questions of traditional and redefined marriage are highly emotional and a difficult and sensitive topic. Living in the D.C. area and having gay friends and colleagues, I find the topic difficult to discuss and sometimes even difficult write about for fear that I will be judged.
I write about African women, that's really my topic. I have no shame or qualm in it because it's a very underrepresented topic, which is part of the reason I started to write.
I think all of the best nonfiction that has ever been made comes from the result of someone who can't stop thinking about a certain topic - a very specific aspect of a certain topic in some cases. And second, they got really good at figuring out what they had to say about it.
The Premier League is what it is. Some people will see the intensity and quality as a great advantage for your players: it will make them better. Some will see it as a disadvantage because the players play at such a high level and such intensity, it's difficult for them to drum that up, that intensity, with a very short space of rest time.
When I'm writing, which is 8-9 months out of the year, I'm in a concerted writing pace, where I work 5 days a week for at least a few hours a day, maybe a little bit more. But I won't work for more than 2 hours at a time. I'll work for a couple hours and take a break.
It's very difficult to find the time or the money for people to organize rehearsals for some movies. It staggers me how little preparation often goes into these scenes which are difficult and complicated. You think, "God, it's crazy. I've never met this person before and here I am having to work at how to do a whole performance on the set." It was great to have a few days of just talking to Michael [Caine] and Daniel [Barber] and thinking about the characters and the relationship between them before we started shooting.
Bullshit is unavoidable when circumstances require someone to talk without knowing what he is talking about. Thus, the production of bullshit is stimulated whenever a person's obligations or opportunities to speak about some topic exceed his knowledge of the facts that are relevant to that topic. This discrepancy is common in public life, where people are frequently impelled-whether by their own propensities or by the demands of others - to speak extensively about matters of which they are to some degree ignorant.
I work on one book at a time. And yes, I am immersed. Six days a week for four to six hours a day. In between books, I stop writing for as much as two to three months, but during that time, I do research and think, plot and plan the book.
At the very end of a book I can manage to work for longer stretches, but mostly, making stuff up for three hours, that's enough. I can't do any more. At the end of the day I might tinker with my morning's work and maybe write some again. But I think three hours is fine.
I approach my work with a passionate intensity, acting as if its success depends entirely on me. "But once I've done my best, I try to let go as much as possible and have no expectations about how my work will be received by the world."
I am just a journeyman actor. Most often I take what's offered me, and I've been able to work year after year. I was in 'Scarface.' Some people think this must have done me a world of good. Truth to tell, six months after 'Scarface' I had to take a job with a real estate development friend for a few months just to get by.
I always write after I think for quite a long time, so the actual writing time is rather short. I think a lot of the work gets done when you have something on your mind while you're doing many other things.
Most of the time is with the family. Most of the time, is all the time. When we work it's a very intensive chunk of time. We work for 12 hours a day, 14 hours a day is common. And we'll do that for a few months and then we get to relax a little bit.
It is possible to work across the aisle in Washington, but it's hard. And I think it's been made worse by the kind of 24-hour news cycle, the fact that everything is on TV before you can work things out quietly. I think it's the intensity of information that makes it feel more difficult to get things done. But I didn't leave with a bitter taste about the politics. The one thing that I would say is, I do think there is an unfortunate tendency to turn political differences, or policy differences, into critiques of one another's character or motives, and that's unfortunate.
We may say that feelings have two kinds of intensity. One is the intensity of the feeling itself, by which loud sounds are distinguished from faint ones, luminous colors from dark ones, highly chromatic colors from almost neutral tints, etc. The other is the intensity of consciousness that lays hold of the feeling, which makes the ticking of a watch actually heard infinitely more vivid than a cannon shot remembered to have been heard a few minutes ago.
I have made great strides in my craft. After months of auditioning, I am very proud to announce that I am a member of the Actors Studio. The greatest school of the theater. It houses great people like Marlon Brando, Julie Harris, Arthur Kennedy, Mildred DunnockVery few get into it, and it is absolutely free. It is the best thing that can happen to an actor. I am one of the youngest to belong. If I can keep this up and nothing interferes with my progress, one of these days I might be able to contribute something to the world.
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