A Quote by Bess Truman

I won't lock my doors or bar them either if any of the old coots in the pictures out in the hall want to come out of their frames for a friendly chat. — © Bess Truman
I won't lock my doors or bar them either if any of the old coots in the pictures out in the hall want to come out of their frames for a friendly chat.
When you come to a hotel room, you want it to be grand, functional and beautiful. But you don't want things that are not useful. Sometimes you go to hotels and there are all these frames and pictures of people you don't know, and you end up hiding everything in the drawer, and then housekeeping come and put it out again.
There's this thing that publishes pictures of people out and about. So when I go out, I do see pictures of myself. I don't know where those pictures come from - I mean, I don't see the cameras. But I guess I'm just not looking for them.
If the lift is broken, I'll just sit and wait for them to sort it out. I don't believe in friendly conversation or chit-chat.
Tonight. After the reaping, everyone is supposed to celebrate. And a a lot of people do, out of relief that their children have been spared for another year. But at least two families will pull their shutters, lock their doors, and try to figure out how they will survive the painful weeks to come.
It's a romantic view of Canada. It's like Michael Moore saying we don't lock our doors in Canada. I lock my door mainly because my girlfriend wants me to lock the door, but mind you we lock our doors. It is a little simplistic to say that we blend easily back home with other cultures. It's difficult, but I think it's mainly a big city phenomenon.
I like to drop in on people who picked on me in high school or whatever, just out of the blue, and chat with them to see how they think of me now that I'm a big star. Usually they're a lot nicer. After about half an hour, I excuse myself to go to the bathroom, and leave a few DVDs or pictures there. Then when I come out, I say good-bye and leave. Then I call the cops.
I lock my door upon myself, And bar them out; but who shall wall Self from myself, most loathed of all?
The old idea is that when tragedy strikes or when an obstacle blocks us, there are only two possibilities. We either become a smaller person or we become a bigger person. If it's a real life change you cannot come out the same. So therefore, you're either going to come out smaller or you're going to rise up and ultimately come out of it a bigger person.
I turn you out of doors tenant desire you pay no rent I turn you out of doors all my best rooms are yours the brain and heart depart I turn you out of doors switch off the lights throw water on the fire I turn you out of doors stubborn desire.
A boy is a magical creature you can lock him out of your workshop, but you can't lock him out of your heart. You can get him out of your study, but you can't get him out of your mind. Might as well give up he is your captor, your jailer, your boss and your master a freckled-faced, pint-sized, cat-chasing bundle of noise. But when you come home at night with only the shattered pieces of your hopes and dreams, he can mend them like new with two magic words Hi, Dad!
No one really knows what mattresses are meant to gain from their lives either. They are large, friendly, pocket-sprung creatures that live quiet private lives in the marshes of Sqornshellous Zeta. Many of them get caught, slaughtered, dried out, shipped out and slept on. None of them seems to mind this and all of them are called Zem.
Sure, it's fun to chat with people with interesting backgrounds who seem to have a passion for your company. But a job interview is not a friendly chat. You need to determine whether candidates, can they really do the job. So ask them to prove it.
I couldn't tell if any frames were removed. Seen as a whole it shows that I have seen. Seeing you have 18 frames a second you can take out one or two and I couldn't tell.
I think, ultimately, open always wins out. It wins out because you cannot lock data in; you can't lock people in. They will find a way out.
This building we're in has doors and windows. If we close the doors and windows, we can't get out. People lock themselves inside a house of delusions. But they're only delusions. They can leave anytime. Actually there is no house to leave. There's not even any leaving. What we see are flowers in the sky, the moon in the water. As for the meditative powers of Zen masters like Hsu-yun, sometimes it's useful to meditate and sometimes it isn't.
That is the godawful thing about television today. Performers don't have any place to hit and miss. You're either in or you're out; you don't have a chance to become good at your craft. If you make three pictures in a row and they don't go over, you're out of the business.
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