A Quote by Beth Broderick

I used to do theater in L.A., but it got to the point where everything was really showcase-y. — © Beth Broderick
I used to do theater in L.A., but it got to the point where everything was really showcase-y.
Really, more than everything, I'm excited to showcase these talents that I got around me.
I saw my sister in this production of 'Whistle Down the Wind' - my sister was a really big theater kid - and when I saw her do that, I was so obsessed. Those were like my first words; I was singing along to the songs. From that point on, I did theater, and then I got into acting in film and television.
When I got out of school, it used to be that it was theater actors that ended up doing film and television, and you had to come from the theater to be taken seriously in that world.
I think the Rock and Roll Hall of Fame, first of all, has got to be put into the context of being an American cultural showcase. It's there to be a museum showcase of all that's great about American music.
My happiest times in the theater are when I do ensemble pieces. I really got into theater because of that closeness.
I went to theater school but never really got the chance to do theater, and it's always been a dream of mine.
I love the theater, and I did tons of theater before I ever did anything in front of the camera, but I haven't done anything in New York in a while, and I really, really want to. I've been offered a few things, but it's got to be something that works, because it's so disruptive to the family that it's got to be something that I cannot turn down.
We used to play in a theater club in London called The King's Head. When the theater let nut, around 10:00 P.M., we'd be ready to go and really get it on for about an hour or so.
'2 Dope Queens,' it was just a way for us to showcase female comedians, showcase comedians of color, showcase LGBT comedians, and shake up the landscape and be like, 'Hey, there is more than just what is out there.'
My first time acting for camera really was for Steven Spielberg in War Horse. I was trained in theater and I was actually working in theater at the time. I had a small role with the Royal Shakespeare Company, which is a huge prestigious theater company back in England. I honestly thought that was as good as it got.
In theater, it's just you and the audience. It's less of a popularity contest. It's just you and the audience, and they're laughing or they're not laughing, that's the only gauge you really have. But with TV and movies and everything, it's like "Well, did you get a meeting at so-and-so?" and "So-and-so's really hot right now," which is all the stuff I'm probably still not used to.
When I was around 13 or 14, there were visits to the theater, which really ignited my passion. Going to see live theater is when I properly got the bug and hoped I'd be able to do it for a living one day.
I used to not really know any other people when I was young that wanted to play music - that's why I learned everything myself. As a result, you kind of naturally become an engineer of sorts, because you've got to learn how to record everything.
I also did an Ozzy piece for him, and so I got hired. Everything happened really fast. I can't give people advice, because everything in my life changed completely in less than a year and it's still not something I am used to.
It used to be every single time you got the rebound, you handed it to the point guard, or you outlet it to the point guard, or everyone cleared, and you waited until the point guard brought the ball up the floor.
When I was 8 years old, there was a showcase of all the instruments you can learn at my school. This guy was playing the trumpet. I heard it and was like 'Oof I got to learn to play.' The sound - everything was amazing. I was blown away.
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