A Quote by Beth Ditto
Even talking, I'm super-loud. I could never have that kind of meek, little wispy whimsical lavender and lace voice. It comes from my body. There's no way I can fight it.
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I don't hear your words: your voice reverberates against my body like another kind of caress, another kind of penetration. I have no power over your voice. It comes straight from you into me. I could stuff my ears and it would find its way into my blood and make it rise.
I had a real stage school voice and I could do loud things, but it's not about being loud, it's about sensitivity and subtlety in music. You can do so much more with a quiet voice than with a belter.
I grew up in a very loud family where you had to fight to get your voice heard, in a good way.
The man who is meek is not even sensitive about himself. He is not always watching himself and his own interests. He is not always on the defensive… To be truly meek means we no longer protect ourselves, because we see there is nothing worth defending… The man who is truly meek never pities himself, he is never sorry for himself. He never talks to himself and says, “You are having a hard time, how unkind these people are not to understand you.
I think my ideal man would speak many languages. He would speak Ibo and Yoruba and English and French and all of the others. He could speak with any person, even the soldiers, and if there was violence in their heart he could change it. He would not have to fight, do you see? Maybe he would not be very handsome, but he would be beautiful when he spoke. He would be very kind, even if you burned his food because you were laughing and talking with your girlfriends instead of watching the cooking. He would just say, 'Ah, never mind'.
George Alessandro in New Jersey builds these great amplifiers. He was working on my Super Reverbs for years and he's kind of a vintage Marshall specialist. He built this amp and it's kind of a cross between a Dumble and a Super Reverb but a little juiced up with a little more power.
At WSX the message was loud and clear consistently, even as a rookie signing a contract and kind of talking about things and getting into the nitty-gritty details. I felt like I was always given a lot of respect and in fact sometimes I thought they were almost tooting my own horn too loud I thought it was almost silly.
Body language is essential for an actress, even if you don't use your body in an athletic way. Just to be free, to use it like your voice. A body can be small and have incredible violence. A body talks.
Even when you spar for real and fight with full contact in training, you get hurt or you hurt someone and you see them trying to fight back. I want to inject as much reality as possible into fight scenes, even if some of the moves are slightly larger than life, if the emotion is there you'll then still be able to buy it. I recall seeing some films where people perform an acrobatic flip mid-fight and land with graceful precision and it's almost like watching Zorro... it's almost whimsical but you're no longer engaged.
I realized I could make a difference. I could be their voice; I could fight for them... There's no better place to fight for working families than the governor's chair.
My mom has accepted my style. My dad is a little suspect with all the bright colors and loud stuff. He's a khakis and polo kind of guy. He's OK with it, but the loud stuff, he says I'm his little daughter.
A loud voice cannot compete with a clear voice, even if it's a whisper.
The rugs that I picked out and the pillows with the little owls, sort of like whimsical throw pillows - I feel like you can never enough whimsical throw pillows in your house, in your life. My husband probably disagrees.
I have to always, always pay homage to a woman I never met but she touched me like she touched so many others with that amazing voice, Whitney Houston. The very first time I heard her voice, I knew I wanted to make people feel that way. Even if I couldn't do all of that that she did, the way she was able to tell my story without even knowing me, the way she could feel what I didn't know how to express, it was spiritual almost.
A mother and a little boy were walking along, and I could tell the minute the recognition hit the little boy. As he walked by holding his mother's hand, he said in a real loud voice, 'Look, Mother. There goes an old Gomer Pyle.'
When I was little, I used to go to the local ice-skating rink. In my mind, I always felt like I could twirl and jump, but when I got out onto the ice, I could barely keep my blades straight. When I got older, that's how it was with people: In my mind, I am bold and forthright, but what comes out always seems to be so meek and polite. Even with Evan, my boyfriend for junior and most of senior year, I never quite managed to be that skating, twirling, leaping person I suspected I could be. But today, apparently, I can skate.
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