A Quote by Beth Grant

I like the line leading up to that: "I made your daughter the lead dancer, and you're not committed!" It's how people in their own little narrow worlds get so bent out of shape over the silliest things. I've seen it all my life, especially growing up in the South - the tempest in a teapot.
It's the reductionist approach to life: if you keep it small, you'll keep it under control. If you don't make any noise, the bogeyman won't find you. But it's all an illusion, because they die too, those people who roll up their spirits into tiny little balls so as to be safe. Safe?! From what? Life is always on the edge of death; narrow streets lead to the same place as wide avenues, and a little candle burns itself out just like a flaming torch does. I choose my own way to burn.
I have found that the person with a sense of story built in from childhood is in better shape than one who has not had stories . . One knows what stories can do, how they can make up worlds and transpose existence into these worlds. . . .One learns that worlds are made by words and not only by hammers and wires.
These things have a life of there own and never existed when I was growing up certainly worrying when one would get made. It's kind of amazing how that one movie kept living through all these years.
When you grow up, you tend to get told that the world is the way it is, and your life is just to live your life inside the world. Try not to bash into the walls too much. Try to have a nice family life. Have fun, save a little money. That's a very limited life. Life can be much broader, once you discover one simple fact, and that is everything around that you call life was made up by people who were no smarter than you. And you can change it. You can influence it. You can build your own things that other people can use. Once you learn that, you'll never be the same again.
When people say "How do you write a book, how does it all happen?" I say, you line things up, and you line them up as actually as you possibly can, but sooner or later the book has got momentum and it's moving along under that momentum. It's like a sculpture, if you're working with the grain of the wood, the wood will start defining what shape it's going to become.
I grew up being a huge fan of Bruce Lee, and this quote always stuck out to me. He said, "Water can flow, or it can crash. If you put it into a teapot, it becomes the teapot." It always made sense to me to adapt the flow and roll with whatever the situation is and to not think about it too much and get caught up in it. It works easier for me that way.
The saddest thing was actually getting fed up with one another. It's like growing up in a family. When you get to a certain age, you want to go off and get your own girl and your own car, split up a bit.
And in those varieties of pain of which we spoke anon, what a part of confidante has that poor teapot played ever since the kindly plant was introduced among us! What myriads of women have cried over it, to be sure! What sickbeds it has smoked by! What fevered lips have received refreshment from out of it! Nature meant very gently by women when she made that teaplant; and with a little thought what a series of pictures and groups the fancy may conjure up and assemble round the teapot and cup!
I used to get made fun of a lot for being a male dancer, especially growing up in Boston. Kids are terrible, they don't realize how heavy words can be.
We face up to awful things because we can't go around them, or forget them. The sooner you get it over with, the sooner you say 'Yes, it happened, and there's nothing I can do about it,' the sooner you can get on with your own life. You've got children to bring up. So you've got to get over it. What we have to get over, somehow we do. Even the worst things.
There were many influences on me while growing up. In the late Seventies and early Eighties when I was growing up in Hyderabad, it was a bit more laid-back, and that gave you time to think about things differently without perhaps being caught up in the narrow approach to one's journey through life.
Here in L.A., you kind of get stuck in your own little dilemmas and your own little life, and hearing a story like Pocahontas' reminds you there's a bigger world out there, and there are so many more important things in life.
It's great for my daughter to see Beyonce and Taylor Swift, women that are in charge of their own careers, writing songs from their own perspective and taking people to task. That's very different from when I was growing up - it was all like, 'Stand by your man.'
And that's how things are. A day is like a whole life. You start out doing one thing, but end up doing something else, plan to run an errand, but never get there. . . . And at the end of your life, your whole existence has the same haphazard quality, too. Your whole life has the same shape as a single day.
I don't know why people get so bent out of shape over stuff people say.
I took my daughter to the father-daughter dance and I cried like a little baby. She's 11 years old, so seeing her get dressed up and pretty made me cry.
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