A Quote by Beth Hart

When I'm going through something really difficult, I think it's what made me go to the piano for the first time when I was a child. I look at it as a place to pray. — © Beth Hart
When I'm going through something really difficult, I think it's what made me go to the piano for the first time when I was a child. I look at it as a place to pray.
I think that tri [to Ram Bahadur Bomjon] was the first time I'd even seen something that made me think, or really feel: "Ah, I don't know what's really going on in the world - I think I do, and it feels like I do, but whatever is really going on is, de facto, beyond the scope of my comprehension - the best we can do is look for hints." I'd known that intellectually before but that was the first time I really believed it viscerally.
I believe really strongly in imitation, actually: I think it's the first place you need to go to if you're going to be able to understand how something works. True mimicry is actually quite difficult.
For me it's really tough because you have to go to that place where you really, really don't want to go to or revisit. After the first movie, when I was crying at the altar, whenever I would think about it, I would get chills for months after the first "Best Man" because I had to go to that place. And then, here we are with this one, and we are going to that place again. It's just extremely emotional to just have to keep revisiting it, but it can also be therapeutic.
I think having musical training as a child was really, really important. I studied piano as a child. Piano is a great instrument to understand musical theory on. I think I have that in my brain somewhere.
I think the first time I really felt that I was Palestinian was a time when I was trying to go back to school with my father at night and there was a curfew for Palestinians. My father said, "I will walk first, but you have to understand, the police will not let me go... So keep moving and don't look at me and don't look back."
It's all the stuff I've been through in my life. From family struggles, people doubting me, things I went through as a child and going to prison, they all played a factor in who I am today. It really made me a better person. Going through those situations can make or break you as a human being.
I don't like when people say, 'I'll pray for you. I'm going to pray for you. Praying for you.' You're going to pray for me? So you're going to sit at home and do nothing? 'Cause that's what your prayers are; you doing nothing while I struggle with a situation. Don't pray for me - make me a sandwich or something.
We’ve been married for more than eight years now and we’re still into it. I think you do fall in and out of love and you just keep going, and every time you go through a really difficult phase, you rediscover something new and it just gets better.
I do triage on everything that comes through the door, and if it's not something we need (now, for real-not maybe someday) or something that deserves to be saved for posterity, it's discarded. I stop before I let myself drop something into a drawer or set it down on the piano. 'Where does it belong?' I think. If I don't have a place for it, I make a place.
I had three sessions of chemotherapy so it was really tough, it was hard to go through it. But while I was going through my treatment, I was always motivated that I was going to come back and play for India. I think that's what kept me going and got me through.
I just go into the studio, look at the lyrics for the first time when I put them on the piano, and go. If I haven't got it within 40 minutes, I give up. It's never changed, the thrill has never gone, because I don't know what I'm going to get next.
A couple years ago I was going to back off and actually thought about retiring, but it keeps calling me back, and I'm going to keep going back as long as it calls me. I really think it has something to do with the good vibes that I feel I've spread through my performance and through the time that I've spent with fans.
I am noticing that we're getting more and more people - and I don't know how to handle this - who come to me saying, "Would you pray for my son? Would you pray for my daughter?" I've been saying, "Pray for them yourself." But they don't want that because they think I've got something that's greater than what they have. I keep saying, "I don't! Not really. I got the title 'minister; but I don't want to exploit you. You do it, too." I think the way to solve it is to do it together. We're going to pray in community, you see?
But I do realize I'm going to have to go through the pregnancy again. Mine was a really difficult pregnancy. It's tough. Of course I want to have another child. We'll see. I'm going to have one more, and see what it's like.
But, in the end, the books that surround me are the books that made me, through my reading (and misreading) of them; they fall in piles on my desk, they stack behind me on my shelves, they surprise me every time I look for one and find ten more I had forgotten about. I love their covers, their weight and their substance. And like the child I was, with the key to the world that reading gave me, it is still exciting for me to find a new book, open it at the first page and plunge in, head first, heart deep.
When you're in the middle of it, when you're a kid growing up, you don't think, 'This is my first heartbreak.' You just think, 'My heart is broken.' But then as a parent, you look back, and you see your child go through his or her first heartbreak, and you're realizing, 'Oh my God, this is her first heartbreak.'
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