A Quote by Beth Hart
Once I finish something, if I don't feel that it's absolutely fabulous, there's no way I would ever let it be recorded, I wouldn't even present it to a producer.
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Once I started 'Nagaram Nidrapotunna Vela' I had to finish it. I made a wrong decision. I knew the film would be a flop and told the producer so. Everyone failed - director, producer and all.
Even after I had recorded a few songs, people would say that they didn't know me. It would hurt at times but now, I have learnt to live in the present.
The musical based on my life would most likely be called 'Something Fabulous.' 'Something Fabulous' - that's a great title!
I remember I was walking through a store, and I saw clothes a 25-year-old would wear. And the conversation in my head was, 'I'm not young and fabulous anymore.' But, immediately, there was a voice that said, 'No, you can be older and fabulous.' In other words, still just as fabulous, but in a different way.
He wanted us to play whatever we played in the most characteristic and appropriate style. Even it was the theme from 'The Godfather,' you needed to play that then the way that a Hollywood producer would expect it to be played. Whether it was that or the posthorn solo from Mahler's Symphony No. 3, he would expect that to be played in the way that Leonard Bernstein wanted to hear it. In retrospect, I think it was a sensational way to teach this particular group of students. By the time you graduated you could absolutely read anything with any trumpet.
I love being a producer, and I think I essentially still operate as a producer even though I now have control of marketing and the ability to green-light shows - something every producer wants but that they don't get!
When I finish a song, I never feel like I want to restrict its life. I feel that once I've done something, it's out. It's in people's ears, cars, headphones. It has its own journey.
I don't subscribe to the view that only puja numbers recorded during the '60s-'90s are enjoyed by the present-day listeners. Definitely the songs of that period are very popular even now, but the songs recorded afterwards are equally lapped up by the audience.
I portray female characters, so I have the opportunity to change the way people look at them. Even if I wasn't consciously doing that, it would happen anyway just because of how I present as a woman, or as a person. I present in a way that's not stereotypical, even if I'm playing a stereotypical role.
I sometimes think about that, when I finish in something big I find it even hard, I feel like I lose an actual noticeable percentage of my reading time. Even on the reader end I find it so hard when a book that I love so much ends, to find the kindness to enter into a new one. Do you know what I'm saying? To find my way in, I feel like even there's that space after. I just love inhabiting a book that hits right.
Every time I finish a book, it's my favorite. I have a lot of favorites. I did just finish Jane Eyre and it was fabulous. I didn't want it to end.
Once you finish a film, it doesn't belong to you anymore - it belongs to the audience to interpret it the way they feel like interpreting.
Performance's only life is in the present. Performance cannot be saved, recorded, documented, or otherwise participate in the circulation of representations of representations: once it does so, it becomes something other than performance.
If I start something, I have to finish it. I know that's annoying - it drives my husband mad - but even if something's not going my way, I have to see it through.
If I was to feel guilty about something, it would be the fact I haven't done enough. I wish there was a million Roman Reigns. So that I could take them all out at once. Then I would feel like I've accomplished something.
In my beginnings, those nos were ever-present-even today, those nos are ever-present-and it's the workaround. I always found a workaround for people who turned their back to me. It's a way of being persistent that makes them take notice.
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