A Quote by Beth Hart

I tend to have a lot of songs ready for each record I do anyway. I always have. I was thinking, the more you write, the better chance you're going to come up with a collection of stuff that is going to work together.
When I start writing songs, and they come easily, I'm always very suspicious. That usually means they're reminding me of something I've already done before. When the songs become unsettling, and I feel anxious about what I'm doing, that usually means it's going to be more interesting later on when we actually record the stuff.
I love to write songs, but they don't come easy to me - I spend a lot of time writing really dumb stuff that I have to look at the next day and think, 'God, what was I thinking?' That's my process, is just to go through a lot of dumb stuff and hope that, after a lot of hard work, I'll find a good idea.
The Replacements are the foundation for a lot of what came after in alternative and college rock. Let It Be is their best record and has the most diverse collection of songs. Some pop stuff, some heavy stuff, and some real moments of beauty like 'Sixteen Blue' and 'Androgynous.' It's a record I always go back to.
The live thing is separate from the record for me. I have to figure out a way to make the songs work live. It's always going to be different than it is on a record, because every record I've made, there are people playing parts on there that are not going to be coming on tour with me. As much as still feeling connected to it, it's more like rediscovering.
I think I had kind of an advantage. When I was growing up, my dad had just got out of jail and he had a great record collection. He had - it was all - these were the songs. So I heard a lot of these songs, like, my whole life, so for me it was easy. I already knew what I was going to sing.
You just have to be prepared because in the Premier League, you are not always going to have more than once chance to score. When it comes your way, you have to be ready to take that chance. If you're not calm, you know it might not come again.
I don't dream songs. I'm more apt to write dreams down and then to be able to interpret them into a song. I also tend to get up and write prose in the morning from which will come songs.
I know what we're going to do as PWR BTTM. We're going to put a new record out; we're going to go on tour a lot, and we're going to do cool stuff. We're going to try to be kind to our friends and family and loved ones. And we're going to look cute.
I find motion, literally, is where ideas come from. It's almost like a built-in rhythm section. The contents of the songs are about change, and a lot of that stuff happens when you're on tour, and you wake up and you're in a different place and you start thinking about where you're going and where you've been.
I write all the time, and I write a lot of songs, but before I started putting out records those songs always just ended up on stuff that I did with The Babies.
I write all the time, and I write a lot of songs, but before I started putting out records, those songs always just ended up on stuff that I did with The Babies.
When people asked me what I was going to do when I grow up, I always said, 'I'm going to be a writer. I'm going to write screenplays. I'm going to write books. I'm going to write plays. That's what I'm going to do.'
Everything I record, I just try to sound like me and come up with songs that suit what I do and then just go for it. I never know what the public's going to like, anyway.
I work hard and I will always work hard. But I feel very lucky with the way that it has all come together. I still have my hands and I can still write songs. I still have my body and I can still dance. I owe God so much because things are going so well.
I see the emphasis on a lot of ideas and I know that's directed at me. [Megan Chance] come up with an idea, hone it, and write it. I come up with thirty ideas, flesh each one out, research each one, come up with characters, and then decide I don't like it.
On piano, I tend to write either gospel or singer-songwriter songs, sometimes kind of rocking blues songs. But the more heavier rock stuff I will write on bass.
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