A Quote by Beth Hart
When you hear me sit at the piano by myself and do one of those super-personal, confessional songs, that's where my true voice is.
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I used to write songs that mimicked other songs that I would hear as a kid, cos I was 12 years old when I was writing those, right. And you hear a radio so all I'd write about was [sings] "hey girl, look at you", you know what I mean. I think that even doing that made it easier for me to write non-personal songs because, from a kid, I never wrote personal songs, they were always like mimicking. And now I'm just trying to understand my writing and where it's coming from.
For me, the good songs are the ones that come really naturally. There are certain songs that you rework and rewrite and the craft becomes very evident, but a lot of times those aren't my favorite songs. The favorite songs are the ones that I can't even hear my own voice in.
I've always been inspired by female performers and artists who really surround who they are around their voice. For me, it's always been about the voice. I wanna hear someone just sit by a piano, on a stool, and just sing - and that's it!
I know I'm stronger in the songs than I really am. Sometimes I need to hear it myself. We all need to hear those empowering songs to remind us.
I like 'Goodbye My Lover' because it's a really personal song and I recorded it in my landlady's bathroom in Los Angeles. She had a piano in there and for me listening back to it, it actually sounds like the voice I hear in my head. It's so close to what I can imagine.
My husband is a composer, so he plays piano all the time and I sit there and clap telling my unborn child, 'Hear me clap, hear the music.' I know music, in general, is supposed to be good for babies to hear.
The Beatles, even Radiohead, all of my favorite stuff I'd play on the piano. But it was all very secret - for me, for fun. I wasn't going to record myself playing those songs, and it never occurred to me to write a song of my own.
I can sit down at the piano and make you think I know how to play the piano because I know, like, the beginnings of four songs.
The interesting thing is that, well, here's what I think about songwriters and songs. Sometimes people sit down and say, "I gotta write a song today, I have a title" and all of that, and sometimes inspiration just happens, almost like "Sugar, Sugar" and a couple of the other songs. But basically, I just started playing the piano, and I'm not a great piano player.
Most of the songs are, in a roundabout way, actually addressed to myself, there's a certain aspect of the songs that's very confessional, very unadulterated...It was a very unfettered, spiritual experience.
There's not a whole lot to do in Athens. When I was 13, I just started entertaining myself by writing songs. I'd sit in my room for 10 hours playing the same song, stacking vocals, trying out different drum beats, realizing no one would ever hear this but having so much fun. I guess I got my voice from just doing that so often.
I have fallen deeply in love with songs - musical theatre songs included - over the years, and this experience has taught me to hear and honor the writer's voice in my soul.
The mass of Venom. I mean, he's like a big, foreboding, physical presence. Actually, let me correct myself - the eyes, the tongue, the mouth, those are his most distinguishing traits, and so making those look as photoreal and true to the comics as we possibly could was super important to me.
By the time I was six or seven-years-old, I had learned several techniques of how to use my voice and was able to choose the sound I wanted to distinguish myself, so I started writing songs on the piano.
Ever since I was first read to, then started reading to myself, there has never been a line read that I didn't hear. As my eyes followed the sentence, a voice was saying it silently to me. It isn't my mother's voice, or the voice of any person I can identify, certainly not my own. It is human, but inward, and it is inwardly that I listen to it. It is to me the voice of the story or the poem itself.
It's like I'll sit down and put my hands on the piano or the guitar, and then I'll hear a sound or I'll feel a chord that will resonate and then I'll get something happening in my voice. My voice is like a car that I get into and drive but I don't know where I'm going. And I record everything. And often, I sort of get into a state, a creative state that is, where I'm just feeling around melodically, and playing things off the top of my head. Then I go back and listen to it and for the first time, hear what I just did. It's like Elvis has left the building while the thing is happening.
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