A Quote by Beth Orton

The husk could be some useless bloke or losing myself and changing my DNA with bottomless grief. — © Beth Orton
The husk could be some useless bloke or losing myself and changing my DNA with bottomless grief.
I refuse to put myself into a situation in which I have to face some kind of "I'm losing it" kind of thing. I'm not "losing it"; it's changed. What it is is changing.
No one could save me from the grief of losing my child or losing my first marriage. I had to do that on my own.
The reason why I do not know anything about myself, the reason why Siddhartha has remained alien and unknown to myself is due to one thing, to one single thing--I was afraid of myself, I was fleeing from myself. I was seeking Atman, I was seeking Brahman, I was determined to dismember myself and tear away its layers of husk in order to find in its unknown innermost recess the kernel at the heart of those layers, the Atman, life, the divine principle, the ultimate. But in so doing, I was losing myself.
I didn't know, at 22, that regret is useless. If I could go back and change something - give myself some big break, pass along some secret information, reassure myself that most things would, in fact, work out - I don't think I would.
Losing a son, losing a daughter, a brother, a sister, losing a close friend - it can go beyond grief to isolation and feeling despair.
The first thing I tried to do in the months after losing my mother was to write a poem. I found myself turning to poetry in the way so many people do - to make sense of losses. And I wrote pretty bad poems about it. But it did feel that the poem was the only place that could hold this grief.
The information in DNA could no more be reduced to the chemical than could the ideas in a book be reduced to the ink and paper: something beyond physics and chemistry encoded DNA.
People who lose children have their hearts warped into weird shapes. Some try to deny it has happened. Some pretend it hasn't. Losing friends or parents is not the same. To lose a child is beyond comprehension. It defies biology. It contradicts the natural order of history and genealogy. It derails common sense. It violates time. It creates a huge, black, bottomless hole that swallows all hope.
Being dissatisfied and properly dissatisfied with the husk of Hinduism, you are in danger of losing even the kernel, life itself.
When I first became famous in the United Kingdom it was helpful because it meant there wasn't a spite of 'this bloke's a drug addict,' 'this bloke f**ks all these women' because I was just making jokes about all those things already, so it made me some kind of incorruptible indefatigable, indestructible force.
The closest I've come to knowing myself is in losing myself. That's why I loved football before I loved music. I could lose myself in it.
The closest Ive come to knowing myself is in losing myself. Thats why I loved football before I loved music. I could lose myself in it.
If I can keep losing myself - and finding parts of myself - in other people's writing and direction, then that's all I can really ask for. That's all I want, to keep losing myself.
I was interested first of all in trying to capture this myth that was always changing and to create some sort of a master story, some version of the myth that resonated with me, since I could have taken more or less any detail that I wanted or the opposite and try to put that down on the page in a way that I could express from that outset for myself and for our readers what it was that was so magical about [Buckminster] Fuller's way of putting together the world.
As a child I had dealt with a lot of loss and grief. I was constantly losing my parents, losing my home, constantly moving around, living with this stranger, that stepfather, or whatever.
I'm just a psycho myself. I loved playing Leila [from Fifty Shades Darker], taking on [a character] who's completely unhinged. I saw her as a girl who's grief-stricken and she just doesn't have the tools to cope. Grief and heartbreak, it makes you do some pretty crazy things.
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