A Quote by Beth Ostrosky Stern

When I moved to New York I started to do a lot of TV commercials. It just kind of naturally evolved from still photography to commercials. — © Beth Ostrosky Stern
When I moved to New York I started to do a lot of TV commercials. It just kind of naturally evolved from still photography to commercials.
I started finding humor in everything. I used to watch a lot of TV, and I finally figured I didn't need to watch TV to find funny stuff. I just watch the commercials. I mean, the commercials just blew my mind.
I had been doing plays in New York and on a whim we packed up and moved West, I started doing commercials and plays and guest star spots on TV and one thing led to another and I got Knots Landing.
When we moved to L.A., I started going out for more commercials, and then one day they emailed me a movie script. The first thing I said was, 'No way. I love commercials.'
I was making commercials. That's how I learned the craft. That was the marketing part of it: directing commercial for TV. It wasn't the most common thing to become a filmmaker in Greece. I started by saying I was interested in marketing and have a proper job in advertising and commercials. Basically, I studied film to learn how to do marketing, and commercials. As I studied film I learned I'd be interested in making films instead of commercials.
I just think I started off like many composers, just in different fields of music I was doing. I started doing a lot of commercials and jingles, and then that led to doing TV and then films and games and TV.
I started working at the age of 2, doing commercials and modeling in New York.
A lot of consumers actively enjoy advertising, especially fashion print ads and clever TV commercials. The nostalgic cable channel TVLand features not only vintage shows but also vintage commercials.
I started out in New York, and New York has a way of countering a Southern accent, naturally; when I moved to Los Angeles for a job, and I just stayed, the dialect out here doesn't really counter, and my Southern started coming back.
I always looked up to great actors and great films. A lot of my family would be like, 'Come on, you should get into these plays that are going on.' I'm like, 'Nah, nah, music's my thing.' I just fell into it. I moved to Atlanta, got with an agency out there, started doing little voiceover commercials, and it started getting kind of fun.
I came to New York and started doing stand-up and improv, and started auditioning for commercials and voiceovers and stuff. My first job was on a pilot of that prank show called 'Boiling Points' on MTV.
Many times I'll improvise it, which isn't done a lot in movies or commercials. But a lot of my commercials are improvised.
I was modeling since I was four and acting in commercials since I was five- this was when I was in New York. I then moved to LA when I was 16…but before that I had done a play on Broadway.
I was modeling since I was four and acting in commercials since I was five - this was when I was in New York. I then moved to LA when I was 16... but before that I had done a play on Broadway.
I started when I was three years old, doing commercials and Modeling in New York, I liked it so much that I kept doing it.
The first step toward maintaining autonomy in any programmed environment is to be aware that there's programming going on. It's as simple as understanding the commercials are there to help sell things. And that TV shows are there to sell commercials, and so on.
The first part of my career, how I was paying the bills was commercials. I was just doing tons of commercials.
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