A Quote by Beth Ostrosky Stern
We decided we would have more animals before we would ever have a human baby.
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I really loved animals when I was little - my friend and I had an imaginary vet's office; we would mime doing surgery on animals. We treated more injuries than illnesses - fixing with a baby bear with a broken leg, removing a tumor. Of course, our surgeries would take about five seconds; that's how good we were.
I would have to think about it for two or three months before I decided to do something which would have meaning. And it would have to be more than just an impression or pleasure. I would need an objective, a meaning. That is the only thing that could help me.
If that hideousness came here, it wouldn't be any more hideous for the animals — they are all bound for a ghastly death anyway. But it would wake up consumers... I openly hope that it comes here. It will bring economic harm only for those who profit from giving people heart attacks and giving animals a concentration camp-like existence. It would be good for animals, good for human health and good for the environment.
I wanted to be a filmmaker, actually, when I was in high school and college. But I just decided it would be more expensive to do, so I sort of decided music would be more fun.
There was a feeling I had when I got pregnant and decided to keep the baby, and I knew I wasn't going to be with the baby daddy, and I was really toying with what my identity would be.
Those that would say Satanist would like to kill animal's, sacrifice animals I would say they would make ideal animal sacrifices, I love animals and animals have always been part of me.
We have all this Paleolithic art that suggests that our ancestors really venerated animals and that they depended on wild animals to survive - as opposed to domesticated animals that we depend on. Would it radically change things if we had more rhinos in our midst? I kind of suspect it would.
I had decided to be a magician well before I decided to be a writer. I was the little boy who would get up on-stage and do magic wearing a fake mustache, which would fall off during the performance. I'm still trying to perform those tricks. Now I do it with writing.
I always give myself a three-month period where I would just hibernate and wouldn't even think about the baby weight. I would just be with my baby in my own little world. And then, once I started getting more energy and wasn't so tired, then I would hit the gym.
As a black and as a woman, I didn't think that I would really want to live in any of the eras before this, because I would inevitably be worse off. I would have spent more time struggling just to prove I was human than doing my work.
Few human creatures would consent to be changed into any of the lower animals for a promise of the fullest allowance of a beast's pleasures; no intelligent human being would consent to be a fool, no instructed person would be an ignoramus, no person of feeling and conscience would be selfish and base, even though they should be persuaded that the fool, the dunce, or the rascal is better satisfied with his lot than they are with theirs.
I slowly began making a few photos with animals over the years, and I liked how people reacted to them. When I would have the animals on set, I'd notice the way the models would interact with them and there was so much true emotion that you rarely see between two human beings.
The Miracle of Istanbul was the most amazing game I'd ever seen - and long before the end I'd decided Liverpool would be my team.
He was so good with the kids on the set. He just knew exactly how to handle them. The baby would cry and Vin would hold him and do all these weird sounds and the baby would stop crying. It was really cute.
I don't have any children, but if I had a baby, I would have to name it, so I would get a baby-naming book. Or I would invite somebody over who had a cast on.
Once I decided I was happy with something, I'd try to send it off into the world, and either someone would want it exactly as it was, or it would remain in my notebook/laptop, and no one would ever see it. This is probably why I didn't work with an editor until I was 26. The solipsism!
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