A Quote by Beth Richardson Gutcheon

If you're going to spend two or three years immersed in a subject, you better be deeply interested in it, or it won't be interesting to the reader. — © Beth Richardson Gutcheon
If you're going to spend two or three years immersed in a subject, you better be deeply interested in it, or it won't be interesting to the reader.
I read a script or I read a project or I read a novel and I know that I'm going to spend two to three years of my life with that, exclusively. So you better like it. There better be an honorable, real need to make that movie.
Every three or four years I pick a new subject. It may be Japanese art; it may be economics. Three years of study are by no means enough to master a subject but they are enough to understand it. SO for more than 60 years I have kept studying one subject at a time.
Many photographers feel their client is the subject. My client is a woman in Kansas who reads Vogue. I'm trying to intrigue, stimulate, feed her. My responsibility is to the reader. The severe portrait that is not the greatest joy in the world to the subject may be enormously interesting to the reader.
The negative about acting is that you have to spend a great deal of time away from your friends and loved ones, but it's not like working a 9-5 job and only having two or three weeks off a year. I may not have seen my girlfriend for two or three months, but then we can spend two or three months together solidly.
Now if you ask me about coming from Europe, I would suggest to any young player interested in the NBA to not spend two or three years in Europe searching for money. Just give it a shot. You can always go back.
What I'm really interested in, as a reader and as a writer, is the idea of the nonfiction book that is not defined by its content, by its "about"-ness. Where you read it irrespective of whether you're interested in the subject.
Essentially, I look for what is interesting to me, out there in the three-dimensional world, and translate or interpret so that it becomes visually pleasing in a two-dimensional photographic print. I search for subject matter with visual patterns, interesting abstractions and graphic compositions.
If you're going to spend two or three years of your life working on something, you've got to be making the kind of movie that discusses and influences the culture and is engaged in the world you're living in.
If youre going to spend two or three years of your life working on something, youve got to be making the kind of movie that discusses and influences the culture and is engaged in the world youre living in.
You imagine a reader and try to keep the reader interested. That's storytelling. You also hope to reward the reader with a sense of a completed design, that somebody is in charge, and that while life is pointless, the book isn't pointless. The author knows where he is going. That's form.
The historian Arthur Schlesinger has pointed out that people tend to get interested in politics again every 30 years. The universe moves in cycles of three. The number figures in everything from Pythagoras's theory that the universe is based on three to the Father-the-Son-and-the-Holy- Ghost to the three-sided pyramidal shapes that intersect in the Jewish Star of David. The notion of the mystical three, metaphysically, spiritually, and even politically, is quite interesting to me.
I have always been immersed in a world filled with words, earlier as a reader and now, finally, as both a reader and a writer.
Bach was so mathematical and I liked this idea that you could have one instrument going, 'One, two, three, four', and then you have another instrument going, [double time] 'One, two, three four', and another instrument going, [doubled again] 'One, two, three, four, one, two, three, four', so you could add twos and fours and eighths, and that happens a lot in Bach.
So I did in fact spend two and a half years in the Middlesbrough car park practising skills. But if you spend four or five or six hours a day practising, you get better.
The severe portrait that is not the greatest joy in the world to the subject may be enormously interesting to the reader.
You cannot spend two thousand years trying to understand God and then simply abandon the question and declare that we’re not interested in it anymore.
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