A Quote by Beth Richardson Gutcheon

I've found in the past that the more closely I identify with the heroine, the less completely she emerges as a person. So from the first novel I've been learning techniques to distance myself from the characters so that they are not me and I don't try to protect them in ways that aren't good for the story.

Beth Richardson Gutcheon

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Been Characters Closely Distance Distance Myself First Found Good Heroine Identify In The Past Learning Less Me More Myself Novel Past Person Protect She Story Techniques Them Try Ways

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Beth Richardson Gutcheon
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A short story is confined to one mood, to which everything in the story pertains. Characters, setting, time, events, are all subject to the mood. And you can try more ephemeral, more fleeting things in a story - you can work more by suggestion - than in a novel. Less is resolved, more is suggested, perhaps.

Eudora Welty

In some ways, writing a novel, especially a novel set in the past and about characters who once lived, is about amassing enough details and arranging them properly in order to offer the reader a verisimilitude that satisfies his or her curiosity about the story at hand.

David Ebershoff

It's really a misconception to identify the writer with the main character, given that the author creates all the characters in the book. In certain ways, I'm every character. Then again, there is a huge gap between me as a person and what I do in the novel.

Rachel Kushner

First person allows deeper insight into the protagonist's character. It allows the reader to identify more fully with the protagonist and to share her world quite intimately. So it suits a story focused on one character's personal journey. However, first person shuts out insights into other characters.

Juliet Marillier

My first two novels were set in the past, and that freed me up in a lot of ways; it allowed me to find my way into my story and my characters through research.

Jennifer Gilmore

I think the success of every novel - if it's a novel of action - depends on the high spots. The thing to do is to say to yourself, 'Which are my big scenes?' and then get every drop of juice out of them. The principle I always go on in writing a novel is to think of the characters in terms of actors in a play. I say to myself, if a big name were playing this part, and if he found that after a strong first act he had practically nothing to do in the second act, he would walk out. Now, then, can I twist the story so as to give him plenty to do all the way through?

P. G. Wodehouse

If the heroine of one novel be not patronized by the heroine of another, from whom can she expect protection and regard?

Jane Austen

The love story between the hero and the heroine has to be at the center of the book. I think that's pretty true in my books. I usually write a secondary love story, with maybe nontraditional characters. Sometimes I write older characters. I'm interested in female friendships, and family relationships. So I don't write the traditional romance, where you just have the hero and the heroine's love story. I like intertwining relationships.

Susan Elizabeth Phillips

If you try to impose a rigid discipline while teaching a child or a chimp you are working against the boundless curiosity and need for relaxed play that make learning possible in the first place... learning cannot be controlled; it is out of control by design. Learning emerges spontaneously, it proceeds in an individualistic and unpredictable way, and it achieves its goal in its own good time. Once triggered, learning will not stop--unless it is hijacked by conditioning.

Roger Fouts

Actually, I identify with all my characters, good and bad. I have to do that in order to make them genuine. I have to understand them even if I don't approve of them. Not completely - it's impossible; complete identification is, in fact, not desirable.

Chinua Achebe

In order to avoid sentimentality and to be able to write the screenplay with the kind of humor and irony necessary to keep the story moving, I needed to distance myself as much as I could from the characters, to try to get to a point where I could view them objectively.

Hirokazu Koreeda

One easy mistake to make with the first novel is to expand the short story. Some things are better as a story; you cannot dilute things into a novel. I think the first hundred pages of a novel are very important. That's where you set things up: the world, the characters. Once you've set that up, it'll be much easier.

Yiyun Li

The supporting characters typically carry less story/plot weight - so you can be more broad and pushed with them. Supporting characters also take up less of the film's screen time. A short is a great opportunity for supporting characters to shine.

Nathan Greno

always thought of myself as a loving person. But she was right. I had been a fair-weather friend. As long as she was happy and nice, I loved back. But if she was unhappy or upset, I would feel blamed and then argue or distance myself

John Gray

I try to trace the connection between the characters and that way a story or plot emerges.

Anita Desai

I think that we come to love not by finding the perfect person, but by learning to see an imperfect person perfectly. Raise kids. Have a good life. Be a good friend. And try to be completely who you are.

Angelina Jolie

A Quote by Beth Richardson Gutcheon

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