A Quote by Bethany Cosentino

I don't really listen to a lot of 90s alternative indie female stuff anymore, but I loved Liz Phair and Kim Deal when I was younger. — © Bethany Cosentino
I don't really listen to a lot of 90s alternative indie female stuff anymore, but I loved Liz Phair and Kim Deal when I was younger.
My parents listened to a lot of James Taylor and Hall and Oates. My mom and I used to listen to Liz Phair and Indigo Girls a lot in the car, too.
I really do listen to all types of music, not only rock, but everything from good pop music - which is usually older pop music - to R&B and indie rock. I love indie rock more than a lot of the commercial stuff that you'd expect.
I really do listen to all types of music, not only rock, but everything from good pop music - which is usually older pop music - to RB and indie rock. I love indie rock more than a lot of the commercial stuff that you'd expect.
There was some real bad alternative - 'alternative' - stuff that came out in the '90s that's completely cringe-worthy.
There was no indie rock band in the 90s at the level of, like, Grizzly Bear. I listen to their records and it's crazy how good they sound. That really freaks me out.
In case you don't know this, we're not in the '90s anymore. Indie cinema does not reign.
When I was 18, I took a trip to Thailand with a friend. We stayed for a month. Bangkok was very raw for a teenager: there were no cellphones, no Internet, and the only music I had with me was this cassette by Liz Phair. I was writing a lot of poetry, and she embodied a talky style of songwriting that I found very accessible.
I have a lot of friends who are in love the '90s. Girls, boys. '90s music? That's Tupac. That's Biggie. That's TLC. That's Aaliyah. I still listen to Aaliyah. I still listen to Tupac and Biggie. There's people who are really heavy on that culture.
A lot of punk rock. I listen to various stuff just cuz my friends now listen to a lot of different bands. I listen to a lot of underground stuff like jungle music.
I'd like to ghost-write Liz Phair's novel. But I don't really know about that. It seems like a dignified thing to segue into as I approach the other side of 45. My hands are just full right now. There's the potential to try to write some kind of biography of Pavement - sort of a cryptic, nonfiction/fiction blowout. The story's never been told well. But that's a lot of inward-gazing that I'm not sure I want to do. I like to look out.
The main stuff I like is from the late '60s to the early '90s. That's the stuff I love. It's the James Cameron's and the Paul Verhoven stuff. I guess when I was younger, 'Star Wars' had an influence.
Mostly I listen to old-time music, some bluegrass, some Americana stuff, too many to name. But of the younger acts, there are The Freight Hoppers, who were big in the '90s, and The Foghorn Stringband from Oregon, and there's a lot of young string bands coming up now, basically punkers who play acoustic instruments forming new bands.
You really saw some?" Liz said an hour later. Sure, we had the stereo blaring and the shower running, but Liz still whispered, "They really...exist?" "Liz," I whispered back, "they're not unicorns." "No," Bex said flatly, "they're boys. And they're...good.
I really love doing indie projects, I think the characters that are available in indie games especially, like a lot of the indie games I've done, have been really rich interesting characters for someone of my vocal range.
Im really into the indie-music scene and listen to a lot of De La Soul.
I spend a lot of time working and with my family, so I don't have much time around the edges to do much else. I don't really listen to a great deal of music. I love music, but since I spend a lot of time in the studio, we probably watch a movie rather than listen to albums. I get to hear stuff, but not on the grand scale.
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