A Quote by Bethany Mota
My viewers actually know about my little routine for spraying perfume. I put it on my wrists and rub them together, then I spray a little bit on my neck and three spritzes in front of me and then I shimmy through them.
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I train myself. I don't have trainers who want hundreds of thousands of dollars to train me. I hire who I want to put the grease on my face, to rub my neck and rub my back, to take my mouthpiece out and rinse it off and put the mouthpiece back in. And then I go about my business. And if they want to say something, they can give me little reminders. All you need are reminders. You don't need 'big-time' trainers.
If I am making a spice rub or a spice mix for a braise or even just to crust a piece of fish, I'll use mustard seeds. If you soak them in a little bit of vinegar and let them get plumped and soft and then you puree them, they're delicious.
Everything I write about either I have gone through or I know somebody has gone through, so it's very close to me, but sometimes it's about taking those feelings and exaggerating on them a little bit: being a bit more dramatic but still keeping them relatable.
Sometimes you do have to scare people a little bit: if someone is not acting in the best interest of the show, then maybe you need to scream and yell a little bit, or let them know you're in charge.
I still think there is a way to take all the mistakes that we've made as adults and put a little bit of a salve on them, a little bit of a fix on them, if we just are a little smarter in what we teach our kids.
When you're a choreographer and you put so much into a routine that's emotionally driven, those are like my ideas and my little babies that I have here and then I put them out there and they're there to be judged and looked at. When it's all over, it's just such a relief.
In 'Me Before You,' the two characters popped into my head fully formed, which is really strange and unusual. Other books, I sit on them for two or three months. I have a whole routine: I buy a nice book; I hand-write all their characteristics. I put them through little tests just to see how they would react to things.
All of my characters are a little bit based on people I know in real life. You know when you do that you have to change the character a little bit in case your friend or your relative reads the book, because you don't want them to know you wrote about them... They might get mad.
So you can be about your business, and then on it comes again. And this time you're ready, and you've got a wine glass or something. And you put the glass up to the wall, and you can hear through the wall a little bit more of the song - maybe just the middle bit this time. You know, you managed to get in a little bit of the end. And so it goes on until - because you just got to - you really just want to sing it.
I keep my perfume in the fridge. If someone sees me in the morning pushing aside the eggs to grab my perfume, it might look a little odd, but it's so refreshing to spray cold fragrance on your skin.
The NFL is changing a little bit. The prototypical quarterback seems to be a little bit more mobile now. At the same time, if you can't throw the ball with the best of them, then you won't get an opportunity.
I don't know what people are going to think of my stand-up. If you only know me from 'The Price Is Right' and 'The Drew Carey Show,' then you might be a little bit shocked. I'm a little dirty and a little opinionated but all in fun.
Playing a character that allows me to play around with some of the feelings I have inside of myself and explore them - and maybe put them to rest a little bit, or at least come to terms with them - feels successful to me. I think it's about believing in what you do.
Just blow in it and sound bad for about a year and then make it sound a little bit better, and you get a little band together, and then you get a few jobs. You take four guys that sound half bad, but if they're 25 percent each, they can give 100 percent, you know?
So you have Sleep Stage One, Two, and then Three/Four. One is a little bit lighter stage of the quiet, non-REM sleep and then Three/Four is really deep, deep sleep. And what you want is, you actually want a number of - you want to go through all of these stages throughout the night.
Sometimes, you know how good certain people are and then you actually get to see them have the kind of matches you know they can have in front of an audience that isn't used to seeing that. Then, in a few minutes the audience is on the edge of their seats, just through the sheer craftsmanship of their abilities.
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