A Quote by Bethany Mota
When you're going back to school, you want something fresh and new, and perfume is the best way to do that.
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Not going back is fine. Not going back but occasionally visiting might be best. Not going back but remembering so you don’t see the same view twice. Not going back so you can turn a new page, write a new chapter, develop an entire new list. Not going back so you can stretch and grow and see yourself in a light that you never knew existed. Not going back so that you can fly. Fly.
It's going back to old school, the way it was done and I'm finding out there is something different, a little interesting. There is something just a little fresh about it because I haven't seen it done like that in a little while. I'm embracing it, you know.
It's one of my favorite seasons of the year: Back to School. As a kid, I loved fresh school supplies, new outfits, the change of seasons, and the chance to crack open a new textbook.
You never quite know what you're going to come back to and figure out how to make it work. You never quite know where that desire to finish something, or return to something in a fresh way, is going to come from. Every time I finished a film and went back and looked at it, I had changed as a person.
Artists are always looking for new things and fresh ground and fresh air. If it feels new to me, there's a chance it'll feel new to the audience and we'll have found something.
The roll out of a new car is always filled with great anticipation; it's almost like going back to school for a new school year.
Leaving high school. It's sad and you're going to miss all your friends. You're going to miss your life and you've been doing that for the past four years, and it's comfortable. But now, there's something possibly bigger on the horizon, just new and fresh and exciting. I think we all kind of felt like that.
Going into a new school, you don't want to be the new kid and be quiet and shy. You want to stand out. You want people to know who you are in that school. I think that also helped me growing up. I always wanted people to know me throughout the school.
Most people are nostalgic in a way that they're fond of the past, but they still are happy that they are where they are now. You know, when you say, 'Oh, high school was this or that,' you don't want to go back. No matter how much you loved high school, you don't want to actually be back in high school. I certainly wouldn't.
In an homage, you always want to subvert it and have fresh new takes. You don't want the audience to say, 'Oh they just did 'The Amityville Horror' there,' you always want to add something new.
I feel the way I always do about sequels. If there's an idea that excites me enough, and it feels like a way to do something new and fresh, then great. But I don't ever want to do a sequel just for the sake of doing a sequel.
The first day back to school, you never want to wear your best outfit. You're setting the bar too high for yourself! Then the rest of the school year, you'll feel so much pressure! Wear something cute, but save your best outfit for a day when no one expects it.
In the creative industries, there are few things more exciting than a zinger - a thought, idea, line, plot device - anything really, that just totally works in a fundamentally new and fresh way. It's like a uniquely lovely melody or a new taste idea in cooking. Something special, something new, something wonderful. They're also very rare.
I'm constantly looking for new things to do whether that's in the studio, trying to keep production fresh, or it's going out on the road. It's not the best for business. My team sometimes wants to beat me. But that's what keeps it fresh and keeps me inspired.
From university, I tried to get into the profession almost immediately, and just got kind of kicked back in London, by lots of people saying, "Well, you know, we'll need to see you in something. And the easiest way for you to get seen in something is drama school. That is the best way to get an agent."
My whole thing is I want to affect history in a positive way. I want the timeline to be, 100 years from now, when we look back, it's going to be like, the world was like this, and then Shameik Moore hit the world, and everything changed for the better. It was a new light. Something special.
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