I loved doing Shakespeare. My two favorite roles, in fact, have been Viola in Twelfth Night and Helena in A Midsummer Night's Dream.
The first job I got was a production of 'Fame - the Musical,' at the North Shore Music Theatre in Beverly, Massachusetts, and it got me my Equity card, too. I waited 12 hours to be seen for it, though!
The first drama thing I really got stuck into was 'A Midsummer Night's Dream.' I played Puck. That's when I said, 'I want to be an actor.'
My first job when I got my equity card was acting in 14 plays back-to-back. Playing that many roles, you look for ways of differentiating the characters physically, which goes hand in hand with understanding them psychologically.
I got my equity card, found my agent, and then I got a part on 'Gilmore Girls.' That turned into a job that kept giving - they wrote more for me.
It used to just be a SAG card, and then you got an AFTRA card. I got my AFTRA card doing a commercial in Atlanta. I got my SAG card doing a beer commercial from 100 years ago; it was one of the first national commercials with a family in it that was black and normal, and I played the daughter.
I got my Actors' Equity card officially by playing Nana the dog in 'Peter Pan' at the Alabama Shakespeare Festival. That was the first show I did as a full-fledged, dues-paying member; I earned points in my MFA program, then went into the company after I graduated.
All my roots are Broadway. I got my Equity Card doing a Broadway show, and my first love is theater.
Mike Nichols got me my Equity card.
David Hayman gave me my Equity card and my first job out of drama school - the first person I really looked up to professionally.
I got my Equity card and agent before I ever went to drama school.
I got my Equity card from an audition out of Backstage. We did 'Guys and Dolls' and 'Kismet.'
When I was 13, I had my first job with my dad carrying shingles up to the roof. And then I got a job washing dishes at a restaurant. And then I got a job in a grocery store deli. And then I got a job in a factory sweeping Cheerio dust off the ground.
While I was at NYU, I did a play at The Public called 'The Forbidden City,' where I went in as an understudy and got my Equity card.
When we finished [training with my wife] we came to St. Paul, because St. Paul was the first place where we got a job offer and we needed some sort of a job to earn some money in order to set up our own studio. It's rather ironic that this job offer came originally through the Walker Art Center.
I got my Equity Card with my Broadway debut when I did 'Rent.' I was in high school, and I came to New York to do that show.