A Quote by Betsy Brandt

Listen, I'm always going to defend my character, even when she's doing something that I don't approve of, because that's what you have to do to love them and play them. — © Betsy Brandt
Listen, I'm always going to defend my character, even when she's doing something that I don't approve of, because that's what you have to do to love them and play them.
I love to see how a character unfolds off the page in a project. I don't always know how the character is going to turn out, even with the script being there. It's not always clear where that character is going to take me. Or where I will take them.
I really connect with every character that I've played, just because I kinda have to; as an actor, you want to take them in and get to know them and like them; because they're evil, you kinda have to like them so that you can understand them and play them and play them with some kind of empathy.
So, in every case if you really love someone there is an element of submission to them because you want what's best for them, and at times they're going to tell you what's best for them. Even if you have second thoughts about it, you'll probably still do it because you love them.
When I was doing character films, I would always try to find something to subvert the standard. You know, to play them exactly for what they are. That's the fun for me.
When you are writing, you have to love all your characters. If you're writing something from a minor character's point of view, you really need to stop and say the purpose of this character isn't to be somebody's sidekick or to come in and put the horse in the stable. The purpose of this character is you're getting a little window into that character's life and that character's day. You have to write them as if they're not a minor character, because they do have their own things going on.
Angeline's been hanging out with that dhampir. I just saw them walking off together. Is something going on with them?" "Which dhampir?" I asked. "The one with the fake British accent." "I don't think it's fake." "Well, whatever." Even I could read the jealousy in Trey's features. "What's up with them?" "Pretty sure there's nothing." "Then why are they always together?" Because she's trying to get over you, I thought.
I ask to become a faery because I love a faery queen, and because she deserves to have someone who loves her for who she is, not what she is. She needs me. There are people-good people-I love and I'm a liability to them because I'm a mortal. I'm fragile. I'm fine. I am in this world. People I care about, the woman I love, friends in all three of the courts This is where I belong. I just need you to give me what it takes to stay with them and be strong enough not to fail them.
I love when there's an obstacle to overcome, even for the audience to actually empathize with that character. I find that interesting, and then, how to work around that and make them relatable. That's something that you have to dig into the moments and into the performances and see how to play those situations that make them relatable.
Even in stories that I like, with a female character that I love deeply, it always feels like there's something that she has to prove to the male characters before she can even get started.
You know, I'm not unwilling to listen to people just because where they're coming from. I'll listen to them, but I'm not going to be beholden to them.
You have to really respect what your kids are doing with their kids and how they're raising them. You can't push your way into areas where you shouldn't be saying anything. You have to always remember they're not your own kids. Play with them, love them, spoil them to death - then hand them back.
I love my job. It's such a privilege to be able to play such complicated characters. Growing up, I wanted to be a billion different things. I realized in order for that to happen, I don't have to be them all because the characters I want to play require such research and such a transformation to make that work - that's something that I love doing.
Mummy always wanted the five children, and she knew she couldn't look after them all because she was this absolutely glorious woman who loved going to parties and going to the races, and she just didn't have time.
Even when men approve of the same arrangements, it must be asked whether they approve of them because they exist or because they are desirable in themselves. The common resistance to the collectivist tide should not be allowed to obscure the fact that the belief in integral freedom is based on an essentially forward-looking attitude and not on any nostalgic longing for the past or a romantic admiration for what has been.
I'm always doing something before I'm going to them. For instance, I was doing a show the night before this one. I never really think about it too much because it's always in the middle of a lot of things.
Defend the church. Defend the family. Defend the non-profit community. Defend them against a government that wants to weaken them.
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